May 15, 2024

True Detective: Night Country cinematographer Florian Hoffmeister, BSC

HBO’s True Detective: Night Country has captivated audiences with its chilling atmosphere and compelling narrative. Cinematographer Florian Hoffmeister, BSC worked with director Issa López to craft the haunting visuals for the supernatural whodunit. “The detective procedural is part of the brand and it’s part of the show, but it should not affect the cinematography,” says Florian. “The cinematography is never motivated just in terms of solving the mystery. We must be sure to show every important fact or clue, to understand the mystery or to build up a bigger mystery. But it’s important to follow the characters and their internal struggles and secrets, the relationships, the darkness, the supernatural as the case unfolds.”

When he first met with Lopez to discuss shooting True Detective: Night Country, Florian liked the feeling of eerie isolation and darkness of the location. The influence of nature adds to the supernatural and to the characters’ fragmentation from each other. Florian found inspirational images by photographer Alexander Gronsky, who took photos of Russian workers in mines near the Arctic Circle. John Carpenter’s The Thing and the movie Sicario were also influences for the look of the series.

True Detective: Night Country takes place in Alaska near the Arctic Circle, with Iceland as the filming location. Most of the show was shot outside during the winter months, although it happened to be the coldest winter in Iceland in a hundred years. They used a soundstage only for the scenes where characters had to be outside in the snow naked or barefoot. Florian enjoys shooting in extreme climates, noting that proper clothing for the temperature is what matters the most. Even with the extreme cold, the ARRI Alexa 35 cameras all functioned just fine. The filming was over a period of 112 days, starting in October on the soundstage. Once winter really hit after Christmas, they began shooting in the snow and darkness. Each day provided about four hours of light, with just about five minutes of sunlight, then a few blue hours of sunrise and sunset.

True Detective: Night Country is available on Max.

Hear our previous interview with Florian Hoffmeister discussing his work on TÁR. https://www.camnoir.com/ep194/

Find Florian Hoffmeister: http://florianhoffmeister.de/
Instagram: @florian.hoffmeister

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The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

September 20, 2023

Talk to Me cinematographer Aaron McLisky, ACS

Cinematographer Aaaron McLisky is thrilled that Talk to Me, a small Australian independent horror film, has found such a huge audience. It has become A24’s highest grossing horror movie in North America. The movie is about a group of friends who discover how to become possessed by spirits with an embalmed hand, creating a thrilling party game. The main character, Mia, has recently lost her mother, and her grief makes the idea of finding her mom on the other side both compelling and dangerous. But soon, the supernatural forces can’t be controlled any longer.

Aaron had heard rumors about the Talk to Me script and was intrigued to find out more about the project when directors Danny and Michael Philippou direct messaged him on Instagram. The twin brothers had no feature film experience, but are self-taught YouTube filmmakers. Their channel, RackaRacka is huge, and features a series of horror/comedy shorts completely shot and edited by Danny and Michael.

During the development and pre-production of Talk to Me, Aaron and the brothers discussed how they wanted the film to look cinematically and frequently workshopped and filmed sequences. Aaron always wants to elevate the story through cinematography, making sure that every frame and every camera movement speaks to a world that’s truthful to the characters. He wanted to be sure that the camera work elevated the tone of the horror movie, by showing or withholding information as needed. As a former editor, Aaron constantly thinks about editing- how certain sequences will go together and how much coverage might really be needed. Once production started, he found it exciting to be bold, keeping coverage of each scene minimal, and confident that they didn’t need more. He kept scenes lit with practical lighting and green fluorescents as much as possible, making Mia seem sickly and possessed. During the possession scenes, Aaron chose to contrast the sequences with unmotivated lighting, and as Mia’s psychological decay progresses, the film subtly becomes darker and more desaturated in the grade.

Aaron was born in Australia but lived in Indonesia for much of his childhood. He fell in love with photography there and knew he wanted to study film, so he returned to Australia. After completing his degree, he got a job at a production company as an editor, eventually moving into directing commercials and music videos, but he didn’t enjoy it. Aaron found he was always more interested in visual images as a storyteller, so he decided to start over as a cinematographer. He was fortunate enough to shoot a music video for YouTube stars, The Bondi Hipsters, who then asked him to be the cinematographer for their television series. Aaron also served as the primary cinematographer of the FX series, Mr. Inbetween.

Talk to Me is still playing in theaters and is available to purchase on VOD.

Find Aaron McLisky: http://aaronmclisky.com/
Instagram: @aaronmclisky

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The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

January 25, 2023

Yule Log director Casper Kelly and cinematographer Alex Allgood

Yule Log is a crazy, surreal, comedic horror movie written and directed by Casper Kelly and with cinematography by Alex Allgood, made for Adult Swim and available on HBO Max. Even though it’s a month past Christmas, fire up Yule Log if you haven’t seen it already- it’s bound to be one of the weirdest and most original movies you’ve seen in awhile.

For Yule Log, Casper and cinematographer Alex Allgood decided to keep the camera locked off on the fireplace logs for as long as possible, so people might think it was just a recording of a fireplace for holiday ambiance, before introducing more action around (and inside) the fireplace and in the cabin, as people enter and events unfold. The movie takes place in a cabin, but over multiple timelines that overlap and combine different genres from comedy to horror to Lynchian-style surrealism.

Alex liked the script, and felt that even though the movie leads with the long lockoff shot on the fireplace that the dialog kept everything going. He only had about three weeks to prep the movie, and they shot Yule Log in about 14 days. He enjoyed working with Casper and combining so many different creative elements into the movie. Alex always sees projects in terms of lighting first and camera second, so he tried to create a cohesive look with the lighting on the film throughout each scene, using a lot of firelight of course.

Casper has always enjoyed taking risks and seeing things that he hasn’t seen before vs. following a formula. His first job was on the low budget horror movie Basket Case 3, and he wrote and directed another short dark comedy spoof TV show for Adult Swim called Too Many Cooks. With his previous experience and relationship with Adult Swim, Casper pitched Yule Log and was paid to make it- he thinks if he had done it as a spec script, no one would have given him money to make such a crazy film. Casper wasn’t sure the many, many ideas in Yule Log were all going to work, but he wanted to go for it and take risks. But everyone was on board through all the crazy twists and turns the story takes.

You can see Yule Log on HBO Max.
Find Casper’s short for Adult Swim, Too Many Cooks, on YouTube.

Find Casper Kelly: Twitter & Instagram: @heycasperkelly
Find Alex Allgood: Instagram @alexisallgood

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The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz