June 21, 2023

Beef cinematographer Larkin Seiple

We welcome back cinematographer Larkin Seiple, who was the cinematographer for the Best Picture winner, Everything Everywhere All At Once. Larkin’s most recent project was the Netflix series, Beef.

Beef is about Danny Cho (Steven Yeun) and Amy Lau (Ali Wong) who clash in a parking lot, leading to a road rage chase. But it doesn’t end there- both Danny and Amy continually escalate their anger and revenge towards each other, endangering their families and everyone around them. Both characters are stressed, unhappy people who do terrible things to ruin other people’s lives.

Larkin enjoyed exploring how the antihero characters in Beef make awful and selfish decisions that get worse and worse, like a pebble rolling downhill. He manipulated the camera to influence the audience’s understanding of what’s happening, so that they can identify or even sympathize with Danny and Amy. He kept the cameras very close to the main characters, using wider lenses to bring the audience into their sphere, often using handheld shots over the shoulder with medium close ups and minimal coverage. Larkin also likes keeping things dark and moody, with minimal extra lighting. This enables him to shoot fast, and actors Steven Yeun and Ali Wong had more time to really explore their performances.

You can watch Beef on Netflix.

Find Larkin Seiple: http://www.larkinseiple.com/
Instagram: @larksss

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

July 20, 2022

Cinematographer Paula Huidobro on CODA, Pam & Tommy, Physical

Our returning guest is Paula Huidobro, who has been very busy the past few years shooting the 2022 Best Picture winning film CODA, the Hulu series Pam & Tommy, and the AppleTV+ series Physical, just to name a few.

Paula and CODA director Siân Heder knew each other as grad students at AFI, and have worked together on four other projects including the film Tallulah and the show Little America. For Paula, shooting CODA was definitely a different process. There were interpreters for each of the actors on set, and most shots had to be framed as medium shots so that their hands could be seen while they were talking. There could be few over the shoulder shots, or someone saying lines with their back to the other person. Siân Heder and Paula wanted to make sure that a deaf person watching the movie could understand exactly what the actors were saying. CODA is set in a New England fishing village, and Paula found it was a very visual environment to shoot, and extra challenging going out on a fishing boat in the ocean.

The Hulu show Pam & Tommy is about the 1990’s stolen sex tape of Pamela Anderson and Tommy Lee. Paula served as DP for every episode of the 8-part series, and she watched Pamela’s film Barb Wire and Tommy’s Mötley Crüe performances for the references. It was hard work to shoot every single episode- she felt she never had enough prep time with the director, location scouting or script. She enjoyed working with director Craig Gillespie (I, Tonya, Cruella) who also was the pilot director on Physical. He wanted to give complete freedom to the actors to move within the scene, so Paula would light the whole space and would start with her camera all the way wide, then push in for a close up. It was like a dance between the actors and they would explore the scene as they filmed it. Paula would shoot in nearly one take then just pick up whatever was missing. Pam & Tommy has a very aggressive style, using a lot of shots pushing in closer and closer, as the release of the sex tape and the fallout for Pamela’s career becomes an unstoppable freight train. It also has elements of humor and absurdity, and Paula enjoyed the novelty of shooting scenes with Tommy’s talking penis (an animatronic). Pam & Tommy had an excellent makeup and prosthetics department, and actors Lily James and Sebastian Stan are made up to be remarkable likenesses of Pamela Anderson and Tommy Lee. Paula found the makeup to be so good that it wasn’t difficult to light the actors. Most of all, Paula and each of the directors wanted to be thoughtful in how they portrayed Pamela Anderson and how her world and entire career had been shattered by illegally releasing this tape.

Physical explores the troubled interior life of Sheila Rubin, an extremely unhappy 1980’s suburban housewife with an eating disorder. But once she finds aerobics, things begin to change for her. Paula finds Physical to be a very dark show, but she really likes how they portray Sheila’s inner thoughts. The character almost always says one thing but in her mind she’s thinking dark thoughts about herself or someone else. Paula would hold shots on actor Rose Byrne a bit longer so that later, her inner thoughts are added in voiceover. The show has great production design- a mix of drab and dark 70’s interiors with big splashes of 80’s color saturation on the set, especially during the workout scenes. Paula enjoyed being able to do some fun and playful things with lighting and camera work for the aerobics sequences.

Find Paula Huidobro: https://www.paulahuidobro.com/
Instagram @paulahuidobro

CODA is streaming on AppleTV+. Physical Season 2 is currently streaming on AppleTV+. You can find Pam & Tommy, a limited series, on Hulu.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep175/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by DZOFilm: https://www.dzofilm.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz