March 8, 2023

Jenelle Riley, Variety’s Deputy Awards and Features Editor, discusses the 2023 Academy Awards nominations

Long-time friend and colleague Jenelle Riley of Variety magazine chats with Ben and Illya for our fourth annual Oscar nominations special. With a focus on cinematography, they discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized.

Here’s a rundown of some of the nominations discussed in this episode, as well as great films that were not nominated this awards season. Listen to our interviews with the nominated DPs as well as other films of note!

Tár, Florian Hoffmeister
Mandy Walker, nominated for Elvis, the first woman to win an ASC Award
All Quiet on the Western Front, James Friend, who won a BAFTA
Everything Everywhere All At Once, Larkin Seiple who was not nominated
Roger Deakins, Empire of Light
Darius Khondji, Bardo: False Chronicle of a Handful of Truths
Greig Fraser, who won last year for Dune and also shot The Batman
Women nominated for best cinematography but have never won: Rachel Morrison, Ari Wegner
Banshees of Inisherin, Ben Davis
Babylon, Linus Sandgren
Hoyte Van Hoytema, Nope

Find Jenelle Riley on Instagram and Twitter: @jenelleriley

Sponsored by Hot Rod Cameras:

The Cinematography Podcast website:
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

September 8, 2020

Mandy Walker, ASC, ACS on Mulan, Hidden Figures, Australia, Tracks, Shattered Glass, working with directors Niki Caro and Baz Luhrmann

Mandy Walker believes that her job as a cinematographer is not just to make pretty pictures, but to enhance an emotion with lenses, camera placement and lighting. She works on a gut and emotional level for films, getting across the feelings of the characters- a DP’s arsenal of tricks should only help convey what’s going on in the scene. For Mulan, Mandy and director Nikki Caro wanted to take a different approach from the Disney animated version, and were free to interpret the film as they wished. Mandy watched several Chinese action films such as House of Flying Daggers and went on location scouting trips to China to find the look and inspiration for the film. Mandy grew up in Australia and always loved photography, film and art, so she felt a passion to become a cinematographer right from the beginning. She skipped film school and began as a production assistant and loader in Australia, learning as she went on films such as Lantana, which was shot using almost only available light. Shattered Glass, which tells the true story of a journalist who made up the majority of his articles, was her first American film. Working with Baz Luhrmann on Australia was a huge jump into bigger budget movies, and she learned how to organize and delegate an entire camera department with multiple cameras. For the film Hidden Figures, Mandy worked closely with the costume designer and makeup artists to ensure that how the characters were dressed and what they looked like matched the feel of what each scene is meant to convey. She watched a lot of archival footage from NASA, some of which was used in the film, and was thrilled to meet Katherine Johnson, one of the real-life subjects of the film.

Mandy Walker is currently working with director Baz Luhrmann again on a forthcoming biography film about Elvis Presley.

See Mulan on Disney Plus

Find Mandy Walker:
Instagram: @mandywalkerdp

Find out even more about this episode, with extensive show notes and links:

Sponsored by Hot Rod Cameras:

WIN a Sony A7SIII, Gitzo tripod and $100 Hot Rod Cameras gift card! Worth over $4,000, for one lucky winner! Follow us on Instagram @thecinepod and click on the link in bio to enter by September 29, 2020.

Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

September 24, 2019

Don M. Morgan, ASC: talks Starman, Christine, Seven, working with John Carpenter, Robert Zemeckis, Steven Spielberg, David Fincher, Joseph Sargent

Legendary cinematographer Don Morgan shot “Used Cars” and “I Wanna Hold Your Hand,” with Robert Zemeckis; Steven Spielberg’s “1941,” and John Carpenter’s “Starman” and “Christine.” Don also filmed the iconic aerial scenes in “Seven” for director David Fincher and talks about his long television career with director Joseph Sargent.