September 27, 2023

River Wild director and writer Ben Ketai

Director and writer Ben Ketai’s latest movie, River Wild, is a thriller inspired by the original 90’s movie The River Wild, but with a reimagined plot. In River Wild, a group of friends take a white water rafting trip that becomes a desperate fight for survival as they get caught in serious rapids. Things only get worse once they realize that one of their friends has a dangerous and violent past.

River Wild was shot in Eastern Europe in just 25 days with the added burdens of water, kids, and animals thrown in. With such stunt-heavy scenes, Ben worked with stunt coordinators and experienced river rafting guides to carefully storyboard the white water rafting sequences. The rapids in the movie really exist, and professional rafters practiced for weeks to know exactly where and how to shoot the sequences on the river. Ben had to make sure that the water scenes looked amazing, and he wanted to capture the power of the water as a raft is sucked through it. Fortunately, he had a long prep period with the cast and came up with an efficient coverage strategy for each scene. For the closer scenes with actors on the rafts, the production was able to use a special Olympic kayak training facility, where the water was shallow and could be turned on and off.

As a Netflix movie, Ben knew River Wild was set to go straight to streaming on the platform. Though there was no big marketing push, it crept up to number three and stayed in the top 10 for over a month, and River Wild became the third most watched movie on Netflix in August. Ben says he doesn’t mind making movies that go straight to streaming- he likes the idea that more people can actually watch things there. His show, Startup, also spread and charted well on Netflix.

Ben and Ben Rock worked together on a series for Crackle called Chosen that was shot in 22 days for six 30-minute episodes. Both Bens fondly remember it as a lot of fun, and Ben Ketai thinks the challenge of a short time period and less money keeps you on your toes and forces you to be creative. On Chosen, he had the opportunity to make mistakes- with less money, there’s also not a lot of people standing in your way.

Growing up, Ben always wanted to make movies as a career and would use his dad’s video camera to make movies with his friends. As soon as he graduated from college, Ben moved to L.A. Luckily, his mom casually knew director Sam Raimi’s mother, and she was able to give him Raimi’s contact info. Raimi was just starting Spiderman 3, so Ben was able to get a job as an office PA for Ghost House Pictures. After working at the production company and scriptwriting for a few years, they asked him to direct his first movie, 30 Days of Night- Dark Days.

River Wild is available to stream on Netflix.

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Facebook: @cinepod
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May 24, 2023

Evil Dead Rise cinematographer David Garbett

New Zealand cinematographer David Garbett has shot more versions of the Evil Dead franchise than any other cinematographer. These include the series Ash vs. Evil Dead and the latest movie, Evil Dead Rise. Dave has enjoyed working on Evil Dead because it’s been a fun, creative, and over-the-top experience.

Evil Dead Rise director Lee Cronin felt that after 10 years, the movie needed a different setting. The action takes place on the top floor of a Los Angeles apartment building. Dave felt a responsibility to get the tone just right since Evil Dead is loved around the world. Evil Dead Rise is witty, but it is more of a straight up horror movie compared to the other Evil Dead films, starring Bruce Campbell. It definitely doesn’t skimp on the blood and gore.

Dave thinks that the essential comedic aspect of Evil Dead is a huge part of the dynamic between director Sam Raimi and Bruce Campbell. He had the amazing experience of working with both of them on the series, Ash vs Evil Dead. The show is like a gory cartoon, with lots of humor and a huge performance by Bruce Campbell as Ash. One of the aspects of shooting Ash vs Evil Dead that Dave loved was getting the script every week and thinking, what the hell kind of bizarre situation am I going to find myself in this week? For the series, Dave got to use many of the low-angle, fast moving “evil force” POV shots. Every time they needed an “evil force” shot, it required a lot of thought and logistics preparation to figure out how to maneuver the camera. They would use many different techniques to get the right look and speed- the evil force has a fast-moving energy and intensity. Dave captured the “force” with the camera mounted on a variety of tools: a gimbal, a pipe, a remote controlled car, a techno crane and also just physically running handheld to give an organic nature to the movement.

When Dave began going to film school in Auckland, he realized that he was drawn to a career as a director of photography, because you can be both technical and artistic. Dave’s timing was good, because the film industry in New Zealand was just ramping up. The movies Once Were Warriors and The Piano were being made there, followed by Heavenly Creatures and The Frighteners. Soon after, Peter Jackson put New Zealand on the map with The Lord of the Rings movies, which brought an incredible amount of work and visibility to the film scene in New Zealand.

Dave also shot several episodes of the Netflix series, Sweet Tooth. Season two of Sweet Tooth is currently streaming.

Evil Dead Rise is currently playing in theaters.

Find Dave Garbett: http://www.davidgarbett.com/
Instagram: @jarbaye

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The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
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Twitter: @ShortEndz

September 15, 2021

Director Wyatt Rockefeller and cinematographer Willie Nel, SASC on the indie science fiction movie Settlers

The film Settlers is a blend of science fiction and western, about a mother, father and little girl who have created a peaceful homestead on a desolate part of Mars until another band of colonists invade their land and take everything. The girl, Remmy, must grow up fast under difficult circumstances. Her only friend is a small non-verbal robot called Steve. Wyatt Rockefeller both wrote and directed the film, which is also his first feature.

Wyatt found the perfect place to create the Mars setting for Settlers in a remote part of the northern cape of South Africa, in one of the hottest places on the planet. His South African producer introduced him to cinematographer Willie Nel, and the two immediately began figuring out the look of the film, using some images from Mars as references. Willie found that the dry reddish landscape of their location naturally informed both the look of the film and how the characters dealt with surviving in a difficult place. Wyatt and Willie were able to spend lots of time in prep, discussing how they wanted to shoot the film and what the story needed to be. When it came to actually shooting, it went very smoothly since they were each so familiar with the script and shots they’d discussed ahead of time. But the crew couldn’t foresee everything- they had to deal with rolling power outages in South Africa due to the heat and a crazy rainstorm that nearly ruined the set.

Remmy’s companion is Steve the farming robot, which gives Settlers one of its few science fiction visuals. Wyatt wanted Steve to exist as a practical creature for the actors to interact with, while keeping it simple so as not to break the budget. He also wanted Steve to seem like a real, functional piece of equipment that Mars settlers would need and use, so he based Steve’s boxy design on the Mars Curiosity rover, but with legs. Wyatt began working with the production designer, the VFX team, creature builders and the lead puppeteer William Todd-Jones in the early stages of planning and prep to create a puppet version of Steve with visual effects used for some of his more complex motions.

Find Wyatt Rockefeller: @wrockefeller Twitter
Find Willie Nel: https://www.willienel.com/ @willie_nel_sasc Instagram

You can watch Settlers streaming on VOD platforms and on Hulu in October. https://www.ifcfilms.com/films/settlers

Read more about the design of Steve the robot by the Settlers team: https://www.talkhouse.com/designing-steve/

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep140/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz