September 6, 2023

Killing It cinematographer Judd Overton

Killing It is a satiric comedy on Peacock starring Craig Robinson as Craig Foster, an aspiring entrepreneur struggling to start his business. The show pokes fun at the absurdities of American capitalism, class, race, health care, and how it’s all stacked against the little guy.

Cinematographer Judd Overton shot all episodes of Killing It for both season one and season two. His approach to shooting the comedy has always been to keep it relatable and naturalistic, even though the characters are going through things that might seem ridiculous. With three cameras, it was also important to create a space for the actors to do their best work- they would often improvise and try to sharpen their jokes on set. Shooting with longer lenses gave them room to move. The composition and lighting also have to play together for the humor to hit. Each of the characters in Killing It have their own episode, and the lighting is influenced by the places they’re in, such as a strip club or a huge mansion. Judd feels that planning is essential, and he had to think on his feet to be able to change blocking or the time of day a scene was shot. One scene in Killing It from season two required a lot of stunt work and fight scene blocking in an automotive chop shop, but the comedy beats weren’t working. Without the comedy beats, the fight scene just wasn’t going to play. They had to stop, reblock and shoot again to work out how to make it feel funny.

Judd grew up in the outback of rural Australia, and his family would buy VHS movies for entertainment and watch them over and over. The kids would then reenact the movies, filming it with a camcorder, and edit them together. Growing up in the driest permanently inhabited place on earth meant that documentary crews would frequently come through, and Judd would go and watch them work. It inspired him to become a cinematographer, so he learned photography in high school and then became a camera assistant through the Australian Cinematography Society. He later attended the Australian Film Television and Radio School (AFTRS), won several awards for his student work and started getting offers to DP on larger films.

Judd’s next project is a feature film called Totally Killer, a slasher comedy that will be the closing night film at Fantastic Fest in Austin. It releases October 6th on Amazon Prime.

You can watch Killing It streaming on Peacock.

Find Judd Overton: www.juddoverton.com
Instagram: @juddovertondp
Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

September 14, 2022

Brendan Uegama, CSC on Moonshot, Riverdale, Truth Be Told, Child’s Play and Mike, the Hulu Mike Tyson dramatic series

Cinematographer Brendan Uegama, CSC enjoys shooting many different genres, from romantic comedies such as Moonshot, to horror movies such as Child’s Play (2019). He enjoys changing his approach to each project depending on the needs of the script. Brendan feels that a good filmmaker knows that the cinematographer is there to serve the story and builds trust with the DP to create the look and feel.

As a kid, Brendan was always into photography and art. He and some high school friends shot skate videos of themselves, and soon after he began making motocross videos. He knew then he wanted to get into film and went to film school in Vancouver, Canada and began working his way up.

Brendan shot 26 episodes of the CW series Riverdale, including every episode of season two. Being the DP for every chapter of the show meant prep time was very short, and Brendan relied on and trusted his team to do location scouts and work ahead. Riverdale was a great show to do that was fun, creative and led to many other projects for him, such as the show Chilling Adventures of Sabrina, and later, Moonshot.

The film Moonshot is a romantic comedy set in space, rather than just a science fiction movie. Mars has been terraformed and colonized and the two main characters are traveling to see their significant others, but fall for each other. Because of the science fiction aspect, everything was storyboarded out and had a decent amount of prep time, and much of Moonshot’s science fiction aspects were done with practical effects. Brendan knew where they needed to rely on visual effects ahead of time. The most challenging part of the film to shoot was the spacewalk scene, which involved extensive wirework and visual effects.

Brendan’s latest project, Mike, a dramatic biography series on Hulu about heavyweight boxer Mike Tyson, is currently streaming.

Find Brendan Uegama: https://www.brendanuegama.com/
Instagram: @brendanuegama_dp
Twitter: @brendanuegama

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep183/

Sponsored by DZOFilm: https://www.dzofilm.com/
Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz