Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Academy Award winning cinematographer Wally Pfister got his start shooting B-movies for Roger Corman, before launching his career with Memento. Working with director Christopher Nolan is always an opportunity for a visual feast, and Wally discusses his work with him on Memento, Insomnia, Batman Begins, and The Prestige.

Academy Award winning cinematographer Wally Pfister got his start shooting B-movies for Roger Corman, before launching his career with Memento. Working with director Christopher Nolan is always an opportunity for a visual feast, and Wally discusses his work with him on Memento, Insomnia, Batman Begins, and The Prestige.

Academy Award winning cinematographer Wally Pfister got his start shooting B-movies for Roger Corman, before launching his career with Memento. Working with director Christopher Nolan is always an opportunity for a visual feast, and Wally discusses his work with him on Memento, Insomnia, Batman Begins, and The Prestige.

00:00 / 00:00

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Quite a few of the documentaries Iris Ng has worked on are deeply personal stories, such as Stories We Tell and Shirkers. Each uses personal excavations and film material from the past to examine it for answers. For the Netflix documentary series Making A Murderer, Iris had to use her artistic eye to help elevate and add to the story.

Quite a few of the documentaries Iris Ng has worked on are deeply personal stories, such as Stories We Tell and Shirkers. Each uses personal excavations and film material from the past to examine it for answers. For the Netflix documentary series Making A Murderer, Iris had to use her artistic eye to help elevate and add to the story.

Quite a few of the documentaries Iris Ng has worked on are deeply personal stories, such as Stories We Tell and Shirkers. Each uses personal excavations and film material from the past to examine it for answers. For the Netflix documentary series Making A Murderer, Iris had to use her artistic eye to help elevate and add to the story.

00:00 / 00:00

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Cinematographer Ross Emery is very experienced at shooting movies with heavy visual effects, such as all three Matrix films, Dark City, and most recently the Ridley Scott series, Raised By Wolves.

Cinematographer Ross Emery is very experienced at shooting movies with heavy visual effects, such as all three Matrix films, Dark City, and most recently the Ridley Scott series, Raised By Wolves.

Cinematographer Ross Emery is very experienced at shooting movies with heavy visual effects, such as all three Matrix films, Dark City, and most recently the Ridley Scott series, Raised By Wolves.

00:00 / 00:00
previous arrow
next arrow
Slider

Wally Pfister, director/cinematographer PART 1: working with Christopher Nolan, Memento, Insomnia, Batman Begins, The Prestige and more

Iris Ng, documentary cinematographer of Stories We Tell, Shirkers, Making a Murderer, and more

Ross Emery, ACS, on Raised By Wolves, The Matrix movies, Dark City, shooting second unit and more

Don Coscarelli, indie horror director and screenwriter of Bubba Ho-tep, Phantasm, The Beastmaster and John Dies at the End

Director Ángel Manuel Soto on Charm City Kings, working with young actors, and directing a stunt-heavy film

Phedon Papamichael, ASC on The Trial of the Chicago 7, working with writer/director Aaron Sorkin, and more

DP Eric Branco on The 40-Year-Old Version, Clemency, shooting black and white film, working with director Radha Blank, and more

War Stories Vol. 4: Tales from the Set featuring Quyen Tran, Mike Figgis, Dan Laustsen, Abe Martinez, Bill Wages, Larry Fong, Vanja Černjul, Rachel Morrison, Linus Sandgren, Stefan Ciupek, Matty Libatique

Rodrigo Prieto, ASC on The Glorias, Frida, working with Julie Taymor, Martin Scorsese, Alejandro González Iñárritu

Director Julie Taymor on her new biopic film, The Glorias, her work on Frida, Titus, Across the Universe and the Broadway theatrical production of The Lion King

Ben Kutchins, Emmy-nominated cinematographer of Ozark, on creating the look of the show, working with Jason Bateman, the Veronica Mars movie, Mozart in the Jungle

Armando Salas, ASC, on Ozark season 3, his Emmy-nominated episode, shooting the series Mr. Mercedes, From Dusk Til Dawn, Strange Angel

Support the Show

Enjoy listening to our podcast? Consider making a purchase at Hot Rod Cameras!

__CONFIG_colors_palette__{"active_palette":0,"config":{"colors":{"f8570":{"name":"Main Accent","parent":-1}},"gradients":[]},"palettes":[{"name":"Default Palette","value":{"colors":{"f8570":{"val":"var(--tcb-skin-color-0)"}},"gradients":[]},"original":{"colors":{"f8570":{"val":"rgb(19, 114, 211)","hsl":{"h":210,"s":0.83,"l":0.45}}},"gradients":[]}}]}__CONFIG_colors_palette__
Shop at Hot Rod Cameras
>