Grace Point indie film director Rory Karpf & DP Al Francesco

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Shot in only 19 days in one town, Grace Point director Rory Karpf and DP Al Francesco leaned into their documentary training to craft the scrappy indie film.

Shot in only 19 days in one town, Grace Point director Rory Karpf and DP Al Francesco leaned into their documentary training to craft the scrappy indie film.

Shot in only 19 days in one town, Grace Point director Rory Karpf and DP Al Francesco leaned into their documentary training to craft the scrappy indie film.

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Stephen Murphy, BSC: balancing love and terror in Heart Eyes

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With a nuanced approach to lighting and color, Heart Eyes cinematographer Stephen Murphy, BSC, ISC crafted a visual language that seamlessly transitions from heartwarming romance and heart-pounding terror.

With a nuanced approach to lighting and color, Heart Eyes cinematographer Stephen Murphy, BSC, ISC crafted a visual language that seamlessly transitions from heartwarming romance and heart-pounding terror.

With a nuanced approach to lighting and color, Heart Eyes cinematographer Stephen Murphy, BSC, ISC crafted a visual language that seamlessly transitions from heartwarming romance and heart-pounding terror.

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Andrew Bird: editing The Seed of the Sacred Fig in secret

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The Seed of the Sacred Fig editor Andrew Bird had to rely on his instincts to cut the film as director Mohammad Rasoulof secretly sent the footage from Iran.

The Seed of the Sacred Fig editor Andrew Bird had to rely on his instincts to cut the film as director Mohammad Rasoulof secretly sent the footage from Iran.

The Seed of the Sacred Fig editor Andrew Bird had to rely on his instincts to cut the film as director Mohammad Rasoulof secretly sent the footage from Iran.

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Grace Point indie film director Rory Karpf & DP Al Francesco

Stephen Murphy, BSC: balancing love and terror in Heart Eyes

Andrew Bird: editing The Seed of the Sacred Fig in secret

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