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Bonus Episode: Peter Deming, ASC

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Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks.

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Shooting in the dark: the making of Spider Noir

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Shooting in the dark: the making of Spider Noir

Spider Noir DPs Darren Tiernan and Peter Deming created a series that looks like a classic film noir using vintage lights, custom LUTs and a “noir vocabulary.”

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James Laxton, ASC Frames Class and Generation Gaps in Beef 2

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James Laxton, ASC Frames Class and Generation Gaps in Beef 2

James Laxton, ASC used a large format camera to create a storytelling journey of color, light, and framing to carry the themes of love, class, and generational cycles in Beef Season 2.

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Bonus Episode: Peter Deming, ASC

Shooting in the dark: the making of Spider Noir

James Laxton, ASC Frames Class and Generation Gaps in Beef 2

Evoking dread in Something Very Bad is Going to Happen

Lawrence Sher ASC: filming Apex in the Australian wilderness

Tari Segal, ASC: visual magic in Margo’s Got Money Troubles

DP Greta Zozula on the look of The Testaments

The scrappy, indie production of Hunting Matthew Nichols

Two horror films, one DP: They Will Kill You, Faces of Death

Ted Hope, Hope For Film: the rebirth of independent cinema

Two DPs, one vision: creating the look of Pluribus

Lawrence Sher, ASC reimagines Frankenstein for The Bride!

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