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Alice Brooks, ASC returns to Oz in Wicked: For Good

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Alice Brooks, ASC returns to Oz in Wicked: For Good

DP Alice Brooks, ASC captures the emotional story in Wicked: For Good through complex lighting, rich color and carefully choreographed camerawork and framing.

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DP Jess Hall’s retro look on The Fantastic Four: First Steps

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DP Jess Hall’s retro look on The Fantastic Four: First Steps

DP Jess Hall built a 60's retro look for The Fantastic Four: First Steps using a comic-book color palette, vintage lenses and cameras, and period lighting.

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Jeff Cutter: melding the alien worlds of Predator: Badlands

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Jeff Cutter: melding the alien worlds of Predator: Badlands

On Predator: Badlands, DP Jeff Cutter built on the visual foundation he created for Prey with naturalistic lighting and different color palettes for each world.

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Alice Brooks, ASC returns to Oz in Wicked: For Good

DP Jess Hall’s retro look on The Fantastic Four: First Steps

Jeff Cutter: melding the alien worlds of Predator: Badlands

Jeff Cronenweth, ASC: stepping out of the grid on TRON: ARES

Cinematographer Dan Laustsen brings Frankenstein to life

Tobias Datum: creating the sci-fi world of Murderbot

Pål Ulvik Rokseth: forging the fiery world of The Lost Bus

Ula Pontikos, BSC captures unease in The Man in My Basement

Cinematographer Kira Kelly, ASC on the unique visuals of HIM

Bryn Mooser and Paul Trillo of Asteria on AI in filmmaking

Matty Libatique: the NY of Highest 2 Lowest, Caught Stealing

John Conroy on grounding the political thriller Zero Day

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