Special Episode: A tribute to Adam Somner, Assistant Director, Producer for Ridley Scott, Steven Spielberg, Martin Scorsese, Paul Thomas Anderson, Alejandro González Iñárritu

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First AD Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group.

First AD Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group.

First AD Adam Somner is trusted by the industry's top directors to anticipate their needs, motivate the crew, figure out the schedule, and drive the entire production forward to finish each day on time. He finds the best way to keep everything moving smoothly on set is though humor, high energy and uniting everyone as a group.

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From grunge to Gladiator II: John Mathieson, BSC

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Cinematographer John Mathieson, BSC shot music videos for grunge bands and never thought he'd be a "sword and sandals" guy. After Gladiator and now Gladiator II, he's embraced the bold action and bright colors of the arena.

Cinematographer John Mathieson, BSC shot music videos for grunge bands and never thought he'd be a "sword and sandals" guy. After Gladiator and now Gladiator II, he's embraced the bold action and bright colors of the arena.

Cinematographer John Mathieson, BSC shot music videos for grunge bands and never thought he'd be a "sword and sandals" guy. After Gladiator and now Gladiator II, he's embraced the bold action and bright colors of the arena.

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Capturing the Chaos of Saturday Night: Eric Steelberg, ASC

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Saturday Night DP Eric Steelberg captures the pressure, excitement and ticking clock on 16mm film with a complicated opening oner and a chaotic visual style.

Saturday Night DP Eric Steelberg captures the pressure, excitement and ticking clock on 16mm film with a complicated opening oner and a chaotic visual style.

Saturday Night DP Eric Steelberg captures the pressure, excitement and ticking clock on 16mm film with a complicated opening oner and a chaotic visual style.

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Special Episode: A tribute to Adam Somner, Assistant Director, Producer for Ridley Scott, Steven Spielberg, Martin Scorsese, Paul Thomas Anderson, Alejandro González Iñárritu

From grunge to Gladiator II: John Mathieson, BSC

Capturing the Chaos of Saturday Night: Eric Steelberg, ASC

Action comedy redefined: Thelma director Josh Margolin and DP David Bolen

Jules O’Loughlin: Balancing action and character in The Old Man Season 2

The creepy cinematography of Smile 2: DP Charlie Sarroff

Capturing the essence of The Substance: Benjamin Kracun, BSC

House of Spoils haunting beauty: DP Eric Lin

Lensing Longlegs: DP Andrés Arochi

Creating the underworld of Beetlejuice Beetlejuice: DP Haris Zambarloukos

The Thicket director Elliott Lester on his Western epic

Shotcraft: A Masterclass in Cinematography with Jay Holben

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