Cinematographer Kim Ji-yong uses low angles, high angles, color and light in Squid Game season 2 to create the tension of childlike innocence and deadly menace.
Cinematographer Kim Ji-yong uses low angles, high angles, color and light in Squid Game season 2 to create the tension of childlike innocence and deadly menace.
Cinematographer Kim Ji-yong uses low angles, high angles, color and light in Squid Game season 2 to create the tension of childlike innocence and deadly menace.