Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Don Coscarelli is a master of the horror-comedy, known for the films Phantasm, The Beastmaster, Bubba Ho-Tep and John Dies at the End. He believes that even in the most horrifying times of your life, there are also moments of levity. His films explore the idea that there is another world, it's terrifying and dangerous, and it's also hilarious.

Don Coscarelli is a master of the horror-comedy, known for the films Phantasm, The Beastmaster, Bubba Ho-Tep and John Dies at the End. He believes that even in the most horrifying times of your life, there are also moments of levity. His films explore the idea that there is another world, it's terrifying and dangerous, and it's also hilarious.

Don Coscarelli is a master of the horror-comedy, known for the films Phantasm, The Beastmaster, Bubba Ho-Tep and John Dies at the End. He believes that even in the most horrifying times of your life, there are also moments of levity. His films explore the idea that there is another world, it's terrifying and dangerous, and it's also hilarious.

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Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

When director Ángel Manuel Soto received the script for Charm City Kings, he found a connection in the story of disenfranchised youth growing up in a marginalized community like Baltimore- he himself grew up on the streets of Santurce in Puerto Rico. The movie is centered on a young teen named Mouse and his two buddies, who are determined to join the subculture of dirt bike stunt riders. Ángel worked with cinematographer Katelin Arizmendi to create a raw and naturalistic look.

When director Ángel Manuel Soto received the script for Charm City Kings, he found a connection in the story of disenfranchised youth growing up in a marginalized community like Baltimore- he himself grew up on the streets of Santurce in Puerto Rico. The movie is centered on a young teen named Mouse and his two buddies, who are determined to join the subculture of dirt bike stunt riders. Ángel worked with cinematographer Katelin Arizmendi to create a raw and naturalistic look.

When director Ángel Manuel Soto received the script for Charm City Kings, he found a connection in the story of disenfranchised youth growing up in a marginalized community like Baltimore- he himself grew up on the streets of Santurce in Puerto Rico. The movie is centered on a young teen named Mouse and his two buddies, who are determined to join the subculture of dirt bike stunt riders. Ángel worked with cinematographer Katelin Arizmendi to create a raw and naturalistic look.

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Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Phedon Papamichael's latest project is The Trial of the Chicago 7, written and directed by Aaron Sorkin. The story centers on the 1969 trial of seven men accused of inciting a riot in the park outside of the 1968 Democratic National Convention in Chicago. Since the majority of the action is in the courtroom, Phedon had to generate visual interest, using lenses and angles to enhance the drama and to get good reaction shots of the jury and spectators.

Phedon Papamichael's latest project is The Trial of the Chicago 7, written and directed by Aaron Sorkin. The story centers on the 1969 trial of seven men accused of inciting a riot in the park outside of the 1968 Democratic National Convention in Chicago. Since the majority of the action is in the courtroom, Phedon had to generate visual interest, using lenses and angles to enhance the drama and to get good reaction shots of the jury and spectators.

Phedon Papamichael's latest project is The Trial of the Chicago 7, written and directed by Aaron Sorkin. The story centers on the 1969 trial of seven men accused of inciting a riot in the park outside of the 1968 Democratic National Convention in Chicago. Since the majority of the action is in the courtroom, Phedon had to generate visual interest, using lenses and angles to enhance the drama and to get good reaction shots of the jury and spectators.

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Don Coscarelli, indie horror director and screenwriter of Bubba Ho-tep, Phantasm, The Beastmaster and John Dies at the End

Director Ángel Manuel Soto on Charm City Kings, working with young actors, and directing a stunt-heavy film

Phedon Papamichael, ASC on The Trial of the Chicago 7, working with writer/director Aaron Sorkin, and more

DP Eric Branco on The 40-Year-Old Version, Clemency, shooting black and white film, working with director Radha Blank, and more

War Stories Vol. 4: Tales from the Set featuring Quyen Tran, Mike Figgis, Dan Laustsen, Abe Martinez, Bill Wages, Larry Fong, Vanja Černjul, Rachel Morrison, Linus Sandgren, Stefan Ciupek, Matty Libatique

Rodrigo Prieto, ASC on The Glorias, Frida, working with Julie Taymor, Martin Scorsese, Alejandro González Iñárritu

Director Julie Taymor on her new biopic film, The Glorias, her work on Frida, Titus, Across the Universe and the Broadway theatrical production of The Lion King

Ben Kutchins, Emmy-nominated cinematographer of Ozark, on creating the look of the show, working with Jason Bateman, the Veronica Mars movie, Mozart in the Jungle

Armando Salas, ASC, on Ozark season 3, his Emmy-nominated episode, shooting the series Mr. Mercedes, From Dusk Til Dawn, Strange Angel

Mandy Walker, ASC, ACS on Mulan, Hidden Figures, Australia, Tracks, Shattered Glass, working with directors Niki Caro and Baz Luhrmann

Jas Shelton, Emmy-nominated cinematographer on Homecoming Season 2, working with the Duplass brothers, Keanu with Key and Peele, The Stanford Prison Experiment

Emmy-nominated director and cinematographer Paul Cameron, ASC: Westworld, 21 Bridges, Man on Fire, Gone in 60 Seconds, Collateral

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