Jeffrey Jur, ASC on shooting Bridgerton, working with Shonda Rhimes, Dirty Dancing, The Big Picture, The Last Seduction, How Stella Got Her Groove Back, and more

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Cinematographer Jeffrey Jur sees filmmaking as a way to express what he says to the world visually and photographically. For the Netflix series Bridgerton, set in Regency-era England, he was able to shoot most of the historic series with little alteration to the locations.

Cinematographer Jeffrey Jur sees filmmaking as a way to express what he says to the world visually and photographically. For the Netflix series Bridgerton, set in Regency-era England, he was able to shoot most of the historic series with little alteration to the locations.

Cinematographer Jeffrey Jur sees filmmaking as a way to express what he says to the world visually and photographically. For the Netflix series Bridgerton, set in Regency-era England, he was able to shoot most of the historic series with little alteration to the locations.

00:00 / 00:00
Polly Morgan ASC, BSC on shooting A Quiet Place Part II, Legion, working with John Krasinski, Ellen Kuras, Wally Pfister and more

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

For A Quiet Place Part II, cinematographer Polly Morgan wanted to expand the feel of the camera as the Abbot family's world grows a bit larger. She combined slow methodic oners with fast paced, quick cuts to create a push and pull with the viewer's emotions to keep them on the edge of their seats.

For A Quiet Place Part II, cinematographer Polly Morgan wanted to expand the feel of the camera as the Abbot family's world grows a bit larger. She combined slow methodic oners with fast paced, quick cuts to create a push and pull with the viewer's emotions to keep them on the edge of their seats.

For A Quiet Place Part II, cinematographer Polly Morgan wanted to expand the feel of the camera as the Abbot family's world grows a bit larger. She combined slow methodic oners with fast paced, quick cuts to create a push and pull with the viewer's emotions to keep them on the edge of their seats.

00:00 / 00:00
Jess Hall, ASC, BSC: Marvel’s WandaVision, Hot Fuzz, working with Edgar Wright, Wally Pfister and more

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

Subscribe to The Cinematography Podcast

For the Disney+ series WandaVision, cinematographer Jess Hall had the opportunity to create the most avant-garde looking project in the Marvel Cinematic Universe. Jess explored every era of sitcom television to create seven different looks for WandaVision, ranging from the 1950's all the way through the 2000's.

For the Disney+ series WandaVision, cinematographer Jess Hall had the opportunity to create the most avant-garde looking project in the Marvel Cinematic Universe. Jess explored every era of sitcom television to create seven different looks for WandaVision, ranging from the 1950's all the way through the 2000's.

For the Disney+ series WandaVision, cinematographer Jess Hall had the opportunity to create the most avant-garde looking project in the Marvel Cinematic Universe. Jess explored every era of sitcom television to create seven different looks for WandaVision, ranging from the 1950's all the way through the 2000's.

00:00 / 00:00
previous arrow
next arrow

Jeffrey Jur, ASC on shooting Bridgerton, working with Shonda Rhimes, Dirty Dancing, The Big Picture, The Last Seduction, How Stella Got Her Groove Back, and more

Jeffrey Jur, ASC on shooting Bridgerton, working with Shonda Rhimes, Dirty Dancing, The Big Picture, The Last Seduction, How Stella Got Her Groove Back, and more

Polly Morgan ASC, BSC on shooting A Quiet Place Part II, Legion, working with John Krasinski, Ellen Kuras, Wally Pfister and more

Polly Morgan ASC, BSC on shooting A Quiet Place Part II, Legion, working with John Krasinski, Ellen Kuras, Wally Pfister and more

Jess Hall, ASC, BSC: Marvel’s WandaVision, Hot Fuzz, working with Edgar Wright, Wally Pfister and more

Jess Hall, ASC, BSC: Marvel’s WandaVision, Hot Fuzz, working with Edgar Wright, Wally Pfister and more

War Stories Vol. 6: Tales from the Set featuring Jim Frohna, Bruce Van Dusen, Randy Thom, Adam Somner, Paul Cameron, Xavier Grobet, Eric Branco, Tommy Maddox-Upshaw, Maryse Alberti, John Benam, Roberto Schaefer and Ben Rock

War Stories Vol. 6: Tales from the Set featuring Jim Frohna, Bruce Van Dusen, Randy Thom, Adam Somner, Paul Cameron, Xavier Grobet, Eric Branco, Tommy Maddox-Upshaw, Maryse Alberti, John Benam, Roberto Schaefer and Ben Rock

Adam Somner, first assistant director, on Ridley Scott, Steven Spielberg, Martin Scorsese, Paul Thomas Anderson, Alejandro González Iñárritu, movies Black Hawk Down, War of the Worlds, The Wolf of Wall Street, The Revenant, and more

Adam Somner, first assistant director, on Ridley Scott, Steven Spielberg, Martin Scorsese, Paul Thomas Anderson, Alejandro González Iñárritu, movies Black Hawk Down, War of the Worlds, The Wolf of Wall Street, The Revenant, and more

Seamus McGarvey, ASC on HBO’s The Nevers, Flying Saucer Rock ‘n’ Roll, Bad Times at the El Royale, Harry Dean Stanton, Oliver Stone and more

Seamus McGarvey, ASC on HBO’s The Nevers, Flying Saucer Rock ‘n’ Roll, Bad Times at the El Royale, Harry Dean Stanton, Oliver Stone and more

Randy Thom, Oscar-winning Director of Sound Design at Skywalker Sound, on The Midnight Sky, Apocalypse Now, The Right Stuff, The Empire Strikes Back, and more

Randy Thom, Oscar-winning Director of Sound Design at Skywalker Sound, on The Midnight Sky, Apocalypse Now, The Right Stuff, The Empire Strikes Back, and more

Dana Gonzales, ASC, director and cinematographer of Fargo and Legion, on creatively rich television, moving into directing, and more

Dana Gonzales, ASC, director and cinematographer of Fargo and Legion, on creatively rich television, moving into directing, and more

Bonus Episode: The Truffle Hunters documentary filmmakers Michael Dweck and Gregory Kershaw

Bonus Episode: The Truffle Hunters documentary filmmakers Michael Dweck and Gregory Kershaw

Jenelle Riley, Variety’s Deputy Awards and Features Editor, discusses the 2021 Academy Awards nominations

Jenelle Riley, Variety’s Deputy Awards and Features Editor, discusses the 2021 Academy Awards nominations

Matthew Libatique, ASC, PART 2: Tigerland, The Fountain, working with Spike Lee, Straight Outta Compton, Iron Man, A Star is Born

Matthew Libatique, ASC, PART 2: Tigerland, The Fountain, working with Spike Lee, Straight Outta Compton, Iron Man, A Star is Born

Matthew Libatique, ASC, PART 1: The Prom, Pi, working with director Darren Aronofsky and his early career

Matthew Libatique, ASC, PART 1: The Prom, Pi, working with director Darren Aronofsky and his early career

Support the Show

Enjoy listening to our podcast? Consider making a purchase at Hot Rod Cameras!