June 14, 2023

Abbott Elementary, The Office, Parks and Recreation director, producer and cinematographer Randall Einhorn

Multihyphenate producer-director-cinematographer and all around talented guy Randall Einhorn is currently the executive producer and director of the award-winning ABC show, Abbott Elementary. Randall began his career in series television first as the DP of The Office, then became one of the most frequent directors of the series. He got to know the mockumentary style intimately, and carried it onto many other shows such as Parks and Recreation, The Muppets, and Modern Family.

Quinta Brunson, show creator and star of Abbott Elementary, was a huge fan of The Office and pitched her idea to executive producers Randall Einhorn and Patrick Schumacker. Randall immediately knew that the mockumentary format would work well as they followed the everyday drama of teachers in an underprivileged elementary school in Philadelphia. They began shooting the pilot in August 2021, working with kids who were mostly non-actors and hadn’t been inside a classroom for an entire year due to COVID. Working with kids made everything harder, but also made everything better, and Randall emphasized that they would have a good time every day. The children were so happy and excited to see each other and to be in a classroom, even if it was a set.

On Abbott Elementary, Randall wanted the teachers to be treated like heroes, so they chose to use ARRI cameras and Angenieux Optimo Zoom lenses. The classrooms look inviting, with wood, warm earth tones and bright light coming in from the windows. By contrast, on The Office they would “dirty up” the frame to make it seem more spontaneous, as though something unexpected was actually caught. Randall would pan to someone, purposely defocus, then bring the actor into focus, to make it seem as though it was just caught. For Abbott Elementary, the camera crew keeps everything mostly in focus, but they will make a conscious effort to keep a piece of doorway in the shot, for example, to imply that people are having a private moment with the cameras hanging back. Randall feels that there’s an honesty to using a long lens and backing up so it would look like the actors are having an intimate conversation.

Randall naturally developed his mockumentary shooting style after working on reality and extreme sports shows. Executive producer Ben Silverman saw his work and thought his verite style would work well for The Office. Randall met with executive producer Greg Daniels, and they hit it off. Since he’d never worked on scripted shows before, Randall broke lots of rules that were considered “normal” for series television on The Office, such as operating himself and pulling his own focus. Blocking and planning the camera placement ahead of time was also essential- the camera crew would never put a camera where it couldn’t or wouldn’t be. He also figured out how to add to the improvisational comedy through the camera’s movement and focus. Randall would keep one eye on the eyepiece and another on the actors to see who was going to improv. He’d lean in with the camera on an actor, stepping in closer to make a moment even more awkward. Unlike the British version of The Office, which was always carefully rehearsed, they would just shoot the scenes and reactions, in true documentary style.

Randall’s company, Sad Unicorn, has a multi-year first look deal at Warner Bros. and he will continue executive producing and directing Abbott Elementary.

Abbot Elementary is in its second season on ABC and Hulu, and season three will likely be delayed due to the writers strike.

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Aputure: https://www.aputure.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 12, 2023

Michael Zink, President, UHD Alliance discusses Filmmaker Mode for television sets

Michael Zink is president of the UHD Alliance, an industry group founded in 2015. He is also the Vice President of Emerging and Creative Technologies at WarnerMedia. The Alliance was founded to bring together consumer electronics manufacturers, film and television studios, content distributors and technology companies to have unified technical specifications for what Ultra High Definition should be.

Michael has been instrumental in helping set the standards for Filmmaker Mode, an option now available on most new TVs. Most electronics manufacturers have automatic factory pre-sets on their HDTVs that include post-processing of the image, known as “motion smoothing” or “smooth motion” which makes every image onscreen look like the evening news or a videogame. It can be very difficult to figure out how to disable it or turn it off. Starting around 2014, actors, directors and cinematographers like Tom Cruise, Rian Johnson, Christopher Nolan and Reed Morano loudly decried the smooth motion default settings and were very upset that their films were not being seen at home as they had intended. Tom Cruise even went so far as to make a PSA he posted to Twitter in 2018, asking viewers to turn off motion smoothing.

UHD Alliance met with industry groups such as the ASC and the DGA, and determined that preserving filmmakers’ creative intent on home televisions was very important. UHD Alliance then came up with the specifications for Filmmaker Mode, which most manufacturers have adopted. Filmmaker Mode is designed to help you watch movies and TV shows at home the way that filmmakers intended AND make it very easy for consumers to use. Most people just use their electronics directly out of the box, without any special calibrations. By disabling all post-processing such as motion smoothing, and preserving the correct aspect ratios, colors and frame rates, Filmmaker Mode enables your TV to display the movie or television show’s content precisely as it was intended by the filmmaker. Today, even streaming services such as Amazon Prime Video have automatic switching in the data stream that will communicate with certain brands of televisions to switch it to Filmmaker Mode.

Find Michael Zink: Twitter @_MichaelZink

UHD Alliance: https://www.experienceuhd.com
@experienceUHD

Filmmaker Mode: https://filmmakermode.com

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Greentree Creative: www.growwithgreentree.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz