December 6, 2023

Crew Me Up CEO and DGA Assistant Director Joshua A. Friedman

As a production assistant first coming up in the film and television industry in New York, Josh Friedman always saw his fellow crew members not as job competition, but as collaborators. Once he’d moved up to assistant director, Josh decided to share what he’d learned as a PA, and wrote “Getting It Done: The Ultimate Production Assistant Guide.” His number one advice to production assistants is to listen. “More often than not, everybody is so excited to be the hero, to be the problem solver, to speak up and get the attention.” says Josh. “But they don’t hear everything that’s being asked. So this might be a two-part question. And they’re only answering the first part without hearing the second part, which is actually more important.”

With Crew Me Up, Josh and his partners have created a new job and networking app that connects filmmakers and production crew to film and TV jobs posted across different regions. It all started when he had to replace a crew member while on a shoot in Texas, and had a very hard time finding anyone local who could work. Crew Me Up allows users to build a profile that hosts information such as their availability calendar, resume, website and IMDB page. Instead of job listings that people apply for, users can directly find other members on the platform, and hire them directly. They can also join Crew Me Up groups, where there’s many active film communities. The app also provides vendor and services listings for camera rentals, post production, and more across different regions.

Find out more about Crew Me Up: Instagram: @crewmeup

Joshua Friedman: @crubie_rex

You can get the FREE Crew Me Up app for iPhones in the Apple store or for Android in the Google Play store.

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The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
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Twitter: @ShortEndz

November 22, 2023

Are You There God? It’s Me, Margaret cinematographer Tim Ives, ASC

The film Are You There God? It’s Me, Margaret is an adaptation of the 1970 Judy Blume book about a pre-teen girl coming of age. Cinematographer Tim Ives, ASC was drawn to working on the film because with three kids, including two daughters, he was interested in opening up the conversation about girls going through puberty and getting their first period. Tim also admired screenwriter and director Kelly Fremon Craig’s work on The Edge of Seventeen.

Tim had previously shot the series Stranger Things, so he had a comfort and familiarity with kids in their early teens. Tim also appreciated that Kelly Fremon Craig brought so much enthusiasm, love and commitment to the film, and deeply respected the book by Judy Blume. Though the film is set in the 1970’s, neither Tim nor Craig wanted Margaret to feel too dusty and faded. They wanted the film to have a nostalgic feel while still seeming contemporary. At first, they had trouble finding just the right look, until Tim showed Craig a book of photographs by Tina Barney. Her photos influenced the look of the movie, with a very amber, Kodak Gold film look. Tim wanted every scene in the movie to feel like it was a snapshot taken from real life.

In his work, Tim most enjoys working on stories with flawed characters with hopes of redemption. He first broke into narrative storytelling through the HBO series Girls, then went on to shoot the pilot for Mr. Robot and several seasons of Stranger Things. Tim enjoyed working on Are You There God? It’s Me, Margaret because he likes the timeframe of film, where it’s working on one thing for about half a year, with one singular vision from one director. In series television, it usually means working intensely on one thing for almost a year, with a few different directors.

Tim Ives’ latest project, Love & Death, another period piece set in 1980, is currently on Max.

Are You There God? It’s Me, Margaret is currently available on VOD or DVD.

Find Tim Ives: https://www.timives.com/
Instagram: @timives

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The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

March 31, 2020

DP Laura Merians Gonçalves on Pacified, shooting in Brazil, starting out as best boy electric on Bully, music videos, her love of Super 8 film

The Cinematography Podcast Episode 69: Laura Merians Gonçalves

As a kid, Laura Merians Gonçalves would play around with a Super 8 camera and make visual collages. But it was only for fun, and she had a degree in philosophy and was planning on traveling and studying martial arts in Japan when she got a summer job in Florida working as best boy electric on Bully,  directed by Larry Clark and shot by Steve Gainer. The film unionized and Laura was able to make a career in movies as a best boy and electrician. Her experience with martial arts influences her perspective on cinematography- learning a craft requires time, commitment, patience and practice. It took time for her to gravitate to the camera department and develop a skill through shooting short films, documentaries and reality TV. She further honed her skill with music videos for Bjork, Beyonce, Atoms for Peace, and Snow Patrol. Laura’s most recent film, Pacified, takes place in the favelas of Brazil and won Best Cinematographer’s Debut at last year’s Camerimage International Film Festival.

Find Laura Merians Gonçalves: www.lauramerians.com

Instagram: @lauramerians

Laura was recently featured in American Cinematographer’s Rising Stars of 2020: https://ascmag.com/articles/rising-stars-2020

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep69/

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