Special: The Cinematography Podcast- War Stories Vol. 7
In our seventh War Stories Special, we feature eleven guest’s harrowing, hilarious, heartbreaking or heartwarming stories they had while on set, or a formative career experience that led them to the film industry.
Find full interviews with each of our featured guests in our archives!
Both cinematographers Wally Pfister, ASC and Phedon Papamichael, ASC have war stories about working on Roger Corman films in their early careers; Ross Emery, ACS talks about the groundbreaking experience of shooting bullet time for The Matrix; Shane Hurlbut, ASC on how he was convinced to shoot Drumline; Alice Brooks on how she made her decision to become a DP; Robbie Ryan, BSC, ISC reflects on experiencing personal tragedy while working on The Favourite; Christian Sebaldt, ASC had to get extremely creative with lighting a dim military barracks; Lachlan Milne, ACS, NZCS, on shooting Minari in extreme summer heat; Armando Salas, ASC also has a story on filming in high temperatures; cinematographer Jas Shelton talks about working with actor John C. Reilly on Cyrus; and finally, director and cinematographer Brandon Trost’s story about meeting Lorne Michaels in a pre-production meeting for MacGruber.
Do you have a War Story you’d like to share? Send us an email or reach out to us on Facebook, Twitter, or Instagram!
Find out even more about this episode, with extensive show notes and links: https://camnoir.com/warstories7/
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