September 20, 2023

Talk to Me cinematographer Aaron McLisky, ACS

Cinematographer Aaaron McLisky is thrilled that Talk to Me, a small Australian independent horror film, has found such a huge audience. It has become A24’s highest grossing horror movie in North America. The movie is about a group of friends who discover how to become possessed by spirits with an embalmed hand, creating a thrilling party game. The main character, Mia, has recently lost her mother, and her grief makes the idea of finding her mom on the other side both compelling and dangerous. But soon, the supernatural forces can’t be controlled any longer.

Aaron had heard rumors about the Talk to Me script and was intrigued to find out more about the project when directors Danny and Michael Philippou direct messaged him on Instagram. The twin brothers had no feature film experience, but are self-taught YouTube filmmakers. Their channel, RackaRacka is huge, and features a series of horror/comedy shorts completely shot and edited by Danny and Michael.

During the development and pre-production of Talk to Me, Aaron and the brothers discussed how they wanted the film to look cinematically and frequently workshopped and filmed sequences. Aaron always wants to elevate the story through cinematography, making sure that every frame and every camera movement speaks to a world that’s truthful to the characters. He wanted to be sure that the camera work elevated the tone of the horror movie, by showing or withholding information as needed. As a former editor, Aaron constantly thinks about editing- how certain sequences will go together and how much coverage might really be needed. Once production started, he found it exciting to be bold, keeping coverage of each scene minimal, and confident that they didn’t need more. He kept scenes lit with practical lighting and green fluorescents as much as possible, making Mia seem sickly and possessed. During the possession scenes, Aaron chose to contrast the sequences with unmotivated lighting, and as Mia’s psychological decay progresses, the film subtly becomes darker and more desaturated in the grade.

Aaron was born in Australia but lived in Indonesia for much of his childhood. He fell in love with photography there and knew he wanted to study film, so he returned to Australia. After completing his degree, he got a job at a production company as an editor, eventually moving into directing commercials and music videos, but he didn’t enjoy it. Aaron found he was always more interested in visual images as a storyteller, so he decided to start over as a cinematographer. He was fortunate enough to shoot a music video for YouTube stars, The Bondi Hipsters, who then asked him to be the cinematographer for their television series. Aaron also served as the primary cinematographer of the FX series, Mr. Inbetween.

Talk to Me is still playing in theaters and is available to purchase on VOD.

Find Aaron McLisky: http://aaronmclisky.com/
Instagram: @aaronmclisky

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Aputure: https://www.aputure.com/

The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

December 15, 2022

Cinematographer Abraham Martinez on Queen of the South, the Disney+ show National Treasure: Edge of History, the upcoming Netflix series Obliterated and more

On our 250th episode, we welcome returning guest and longtime friend of the show, cinematographer Abe Martinez, who catches up with Ben and Illya about his work around the world for the past few years.

Most recently, Abe completed the new Disney+ show National Treasure: Edge of History and a new Netflix action-comedy series, Obliterated, by the creators of Cobra Kai. Abe has been learning and perfecting his technique of using video walls for action on big sets, creating a version of “poor man’s process” to shoot cars and figuring out the exact size video walls needed. They coined the phrase “middle class process” because it looks much better than the old poor man’s process. Using video walls requires a lot of math and tech setup, but it also offers plenty of opportunities for creativity without spending a lot of money to actually go to locations. Abe enjoys the challenge of trying to create realism with the proper lighting and angles.

After working as a loader and camera operator on many films, Abe began working on the series Queen of the South on USA Network. Working on Queen of the South launched Abe’s career into director of photography work, where he became the lead DP in season 3 and worked on the show for the next three years. As a Latino person who grew up in a rougher area, Abe felt he could really relate to the storylines about gangs. He also sees a throughline from his real life as a nomadic world traveler to the storytelling he’s drawn to lately- many of the shows he has been shooting are about characters who are being displaced, or who feel displaced.

Abe’s passion is doing street photography everywhere he goes. He enjoys exploring color and movement and experimenting with different film stocks or digital color science. This often gives him the creative spark for shots and compositions to use in his work. You can see Abe’s street photography on Instagram.

Find Abe Martinez: https://www.abemartinez.com/
Instagram: @abe.martinez.dp

National Treasure: Edge of History is currently showing on Disney+
Obliterated is coming to Netflix in 2023.

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz