December 12, 2025

Eric Lin and Lyle Vincent tell a tragic story in Rosemead

The Cinematography Podcast Episode 337: Eric Lin and Lyle Vincent

Rosemead tells the tragic, true story of Irene (Lucy Liu), a terminally ill single mother, and her son, Joe (Lawrence Shou). As Joe battles schizophrenia and urges toward violence, Irene is left isolated from her Chinese American community in Southern California, facing impossible choices without a safety net.

After decades behind the camera, director Eric Lin connected deeply with the personal nature of Rosemead. He grew up in Southern California and frequently visited the San Gabriel Valley, where the film takes place. Producer Mynette Louie, who he’d know since NYU Film School, sent him the script, and Eric decided to take it on as his first directorial feature. “I’ve shot a lot of features and I’ve been side by side with directors, watching how difficult it is to make a feature,” he says. “The thing that sort of lured me into the director’s chair was that it’s a story that I felt like I’d never seen before on screen.”

Recognizing the film’s nuanced demands, Eric knew he didn’t want to pull double duty as cinematographer. Instead, he asked Lyle Vincent, another NYU alum with whom he shared a cinematic shorthand. “Knowing what a DP does, especially on a film like this, where I felt like I had to be so present, that would be a fatal mistake,” Eric explains. Lyle appreciated the trust, describing Eric as a director who “is extremely visual and who has amazing visual references and language.”

Together the two shotlisted and discussed each scene emotionally and visually. To capture the film’s emotional landscape, Lyle chose a subjective camera style. Handheld camerawork and portrait lenses help mirror Joe’s psychological state and the looming sense of danger. Using E-series anamorphic lenses, he created a shallow depth of field that softened the background, forcing the viewer’s focus onto the characters. This gritty reality contrasts sharply with Joe’s memories of the idyllic time he spent with his parents in a hotel. His flashbacks are rendered in warm tones, evoking a surreal, dreamlike nostalgia.

See Rosemead in theaters.

Find Eric Lin: Instagram @holdtheframe

Find Lyle Vincent: Instagram @lylevincent

SHOW RUNDOWN:
01:38 Close Focus
13:20-01:03:54 Interview
01:04:13 Short ends
01:13:09 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

October 16, 2024

House of Spoils haunting beauty: DP Eric Lin

The spooky thriller House of Spoils on Amazon Prime is about an ambitious chef, Ana (Ariana DeBose) who follows her dream to open a restaurant on a remote estate in the woods. She quickly realizes it’s haunted by the vengeful spirit of the previous owner. As Ana battles stress, self-doubt, a skeptical investor, and kitchen chaos, the ghost’s sinister presence threatens to sabotage her every step.

When cinematographer Eric Lin met with directors Bridget Savage Cole and Danielle Krudy (Blow The Man Down), they presented him with several inspirational references by surrealist painter Leonor Fini and Dutch painter Adriaen van Utrecht. Both artists captured the unsettling feeling of eerie decay while being surrounded by the natural world. Nature, rot and its influence on bodies became the movie’s core aesthetic. Films like Black Swan (psychological horror), The Shining (single, oppressive location) and Phantom Thread (artistic obsession) also served as inspiration.

Eric embraced the use of zoom lenses in the film. “Zooms are super psychological and we tried to find ways that we would sneak them in, because it has this very unsettling feel,” he says. Because Ana is a chef, food also played a major role in the film. “I was interested in trying to find a way to represent the colors that had a feeling of decay- almost a mushroom, moldy look,” Eric explains. “Because what comes from that decay is life, right? It’s like creativity is born through all this death and decay. And so I wanted the colors of the film to represent that feeling.” He created a LUT where the vibrant colors stood out while the browns and greens stayed dull and earthy. The kitchen was really being used to cook the dishes, and a food stylist helped to plate all the ingredients. Second unit would then shoot the dishes as they were presented to the table.

House of Spoils was shot on location at an estate in Budapest. The crew built a fully functional kitchen set, allowing for meticulously planned lighting. The garden outside the kitchen was also created by the production design team and the greens department. The natural fog blanketing the estate’s garden provided the perfect eerie atmosphere, eliminating the need for fog machines.

Eric’s passion for cinematography wasn’t always his career path. After studying at UC Berkeley, he switched gears to study film in grad school at NYU. He managed to land a job as an assistant editor, but cinematography was his true passion. Eric shot music videos and independent films as much as he could on the side. While shooting music videos and independent films, his dedication paid off. The short film Missing went to the Cannes Film Festival. Eric’s cinematography is also in several Sundance Film Festival projects, such as The Sound of Silence, Hearts Beat Loud, and I’ll Be Your Mirror (originally titled Blood).

House of Spoils is currently streaming on Amazon Prime Video.

Find Eric Lin: www.eric-lin.com
Instagram: @holdtheframe

Sponsored by Hot Rod Cameras: https://hotrodcameras.com/

The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

February 8, 2022

Special Episode: Sundance 2022- Blood director Bradley Rust Gray and cinematographer Eric Lin

The film Blood is about Chloe, a woman who travels to Japan for her work as a photographer, just a couple of years after the death of her husband. She meets up with her Japanese friend Toshi who is interested in turning their friendship into a relationship, and she needs to decide if she is ready to welcome romantic love back into her life. Blood is a quiet and contemplative movie about human relationships, and unfolds slowly through Chloe’s conversations, interactions and dreams.

Director Bradley Rust Gray and cinematographer Eric Lin had worked together before on Brad’s film, The Exploding Girl. A lot of Blood was improvised, and Brad used the script mainly as an outline short of a few scenes needed for exposition. They found opportunities to weave in the dreams Chloe has about her past with her husband in Iceland. Eric and Brad wanted everything to feel very naturalistic, as if the camera is eavesdropping. Eric chose to shoot much of it on very long lenses, as though shooting a nature documentary. They wanted Blood to feel like the audience is present with Chloe the whole time, peering in on moments in her life.

Blood premiered at the Sundance 2022 Film Festival and was the Special Jury Award winner for Uncompromising Artistic Vision. Blood is seeking sales and distribution.

Find director Bradley Rust Gray: https://www.imdb.com/name/nm0336486/?ref_=fn_al_nm_1

Find cinematographer Eric Lin: https://eric-lin.com/
Instagram @holdtheframe

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

April 20, 2020

BONUS Episode: The Sound of Silence director Michael Tyburski

The Cinematography Podcast BONUS Episode: The Sound of Silence director Michael Tyburski

It’s a very special Shelter In Place episode as we dig into our archives to bring you some past podcasts you might have missed.

Illya sat down with director Michael Tyburski during 2019’s Sundance Film Festival to talk about his film, The Sound of Silence (in a rather noisy setting!) The movie is about a “house tuner” in New York City- a fictional job he made up for the film. Peter Saarsgard plays the house tuner, who listens for discordant tones in the home and adjusts them to create emotional resonance and harmony. Michael Tyburski talks about directing his first feature film shot by cinematographer Eric Lin. He discusses the color palette, directing Peter Saarsgard and Rashida Jones, and of course the importance of sound, music and sound design in the movie.

You can stream The Sound of Silence right now on Hulu. https://www.youtube.com/watch?v=ejZ75QFesgE

Find Michael Tyburski: http://www.michaeltyburski.com/
Twitter: @michaeltyburski

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/bonussoundofsilence/

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Website: www.camnoir.com
Facebook: @cinepod
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March 26, 2019

Sundance 2019 Special Podcast Pt. 1 – Our Favorites: Jackie Chan, Michael Tyburski w/The Sound of Silence & Lulu Wang w/The Farewell, The Blair Witch Project Anniversary

In The Cinematography Podcast’s first of four episodes, Illya and Ben discuss the 2019 Sundance Film Festival. We had the opportunity to interview several of the most buzzed about filmmakers while in Park City.  This episode covers some of our personal favorites of the festival.