July 10, 2026

Lyle Vincent on lighting the darkness of The Beast in Me

Cinematographer Lyle Vincent on shooting the Netflix series The Beast in Me with Panavision lenses and hard lighting that allow deep shadows to fall into black. Vincent’s work is a continuation of his collaboration with director Antonio Campos after the HBO Max drama, The Staircase. The eight-episode limited series, shot entirely by Vincent, was approached less like television and more like one very long feature film.

Podcast highlights include:
-Lyle’s long-running collaboration with director/producer Antonio Campos and how it shaped his approach to shooting The Beast in Me as one continuous long-form story, rather than eight separate episodes.
-Using Panavision’s Ultra Panatar lenses in the sweet spot, with just enough anamorphic blur without distortion.
-How the lighting shifts as the characters’ true natures grow darker and harder-edged, undermining the audience’s trust.
-How Lyle’s hard-light, deep-shadow style of Beast traces back to his early work on A Girl Walks Home Alone at Night. He lights only what he wants the camera to see and lets everything else fall to black.

Find Lyle Vincent: http://lylevincent.com/
Instagram: @lylevincent
The Beast in Me is streaming on Netflix.
Hear our previous episode with Lyle Vincent on the movie Rosemead: https://www.camnoir.com/ep337/

SHOW RUNDOWN:

01:52 Close Focus
07:05-53:32 Lyle Vincent Interview
53:57 Short Ends
01:03:19 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

December 12, 2025

Eric Lin and Lyle Vincent tell a tragic story in Rosemead

The Cinematography Podcast Episode 337: Eric Lin and Lyle Vincent

Rosemead tells the tragic, true story of Irene (Lucy Liu), a terminally ill single mother, and her son, Joe (Lawrence Shou). As Joe battles schizophrenia and urges toward violence, Irene is left isolated from her Chinese American community in Southern California, facing impossible choices without a safety net.

After decades behind the camera, director Eric Lin connected deeply with the personal nature of Rosemead. He grew up in Southern California and frequently visited the San Gabriel Valley, where the film takes place. Producer Mynette Louie, who he’d know since NYU Film School, sent him the script, and Eric decided to take it on as his first directorial feature. “I’ve shot a lot of features and I’ve been side by side with directors, watching how difficult it is to make a feature,” he says. “The thing that sort of lured me into the director’s chair was that it’s a story that I felt like I’d never seen before on screen.”

Recognizing the film’s nuanced demands, Eric knew he didn’t want to pull double duty as cinematographer. Instead, he asked Lyle Vincent, another NYU alum with whom he shared a cinematic shorthand. “Knowing what a DP does, especially on a film like this, where I felt like I had to be so present, that would be a fatal mistake,” Eric explains. Lyle appreciated the trust, describing Eric as a director who “is extremely visual and who has amazing visual references and language.”

Together the two shotlisted and discussed each scene emotionally and visually. To capture the film’s emotional landscape, Lyle chose a subjective camera style. Handheld camerawork and portrait lenses help mirror Joe’s psychological state and the looming sense of danger. Using E-series anamorphic lenses, he created a shallow depth of field that softened the background, forcing the viewer’s focus onto the characters. This gritty reality contrasts sharply with Joe’s memories of the idyllic time he spent with his parents in a hotel. His flashbacks are rendered in warm tones, evoking a surreal, dreamlike nostalgia.

See Rosemead in theaters.

Find Eric Lin: Instagram @holdtheframe

Find Lyle Vincent: Instagram @lylevincent

SHOW RUNDOWN:
01:38 Close Focus
13:20-01:03:54 Interview
01:04:13 Short ends
01:13:09 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social