March 19, 2025

Grace Point indie film director Rory Karpf & DP Al Francesco

For director Rory Karpf, a core philosophy is that things are going to change- a lesson learned from years of documentary filmmaking. This flexibility proved invaluable when crafting his indie feature, Grace Point. Adapted from a larger, more ambitious script, Grace Point tells the story of a young man on his way to a remote drug rehab. His journey takes a dark and unexpected turn when he finds himself in a strange town being chased by the locals and his own personal demons.

The genesis of Grace Point began with a documentary shoot in a very specific location. Rory and cinematographer Al Francesco were working on recreations in Laurinburg, North Carolina. Al suggested that Rory reimagine the script as a smaller, more intimate indie film, using the town’s natural settings. They were able to find every location they needed in Laurinburg and the surrounding area.

The rapid 19 day production schedule with 10-hour workdays required working around outdoor shoots and unpredictable Southern weather. With many locations donated, Rory and Al knew they couldn’t waste time with reshoots or lose any days to the weather. They dedicated two weeks to detailed location and technical scouting, meticulously planning shots and coverage. Al found the time to be flexible and see compositions when they naturally occurred, like taking advantage of a beautiful foggy morning during the shoot.

Rory and Al’s background in documentary filmmaking proved to be a significant asset. “One thing I learned with documentaries are things are gonna change,” Rory states. “With narrative scripted filmmaking, it could be the actor isn’t getting the scene right for whatever reason. We’re gonna try something a little bit different, and be open to that working.” Al’s documentary instincts led him to adopt a “keep the camera rolling” approach, even after “cut” was called, capturing authentic reactions. He also streamlined the process by lighting entire scenes and shooting multiple angles without resetting, and even capturing close-ups and inserts during rehearsals.

The collaboration between Rory and Al began at NFL Films, where they honed their skills on sports documentaries featuring prominent figures like Peyton Manning (The Book of Manning) and Snoop Dogg (Coach Snoop). These “follow docs” often involved recreations, which served as mini-movies, providing valuable experience for their transition to narrative filmmaking. Their established network of crew members, producers, and access to affordable gear proved crucial. “It’s not a negative for us to have a small crew and make the most of it- that’s normally what we do,” Al notes.

For Rory, the most vital aspect of filmmaking is fostering a positive and enjoyable atmosphere. “Working with Al, he makes the stuff look great, but he also understands how it incorporates in the story,” he says. This blend of technical expertise and storytelling acumen is what brought Grace Point to life, proving that even with limited resources, passion and ingenuity can create compelling cinema.

You can purchase Grace Point on Apple TV and Amazon Prime.

Find Rory Karpf: https://www.gracepointfilm.com/
Find Al Francesco: https://www.albefilms.net/
Instagram: @gracepointfilm

Sponsored by Hot Rod Cameras: https://hotrodcameras.com/
Sponsored by ARRI: https://www.arri.com/en

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

October 19, 2022

Court Crandall, writer and director of the buddy comedy Bromates

The comedy Bromates is about buddies Sid (Josh Brener) and Jonesie (Lil Rel Howry) who are both going through a breakup, so the two move in together. During a night out at a bar with a group of friends, nerdy Sid meets a woman from out of town. The guys convince Sid to go after her, and head out on a road trip to Texas together, encountering crazy situations and adventure along the way.

Court and writing partner Chris Kemper wanted to do a story about guys moving in together and helping each other through a breakup. The film was independently made at first, and Court says it was a hard sell to make a movie about guys behaving like jackasses, since these days, so many comedies just go straight to streaming. Luckily, musician and entrepreneur Snoop Dogg came on board as an executive producer with his new production company, Snoopadelic Films Inc. He plays himself in a few scenes of the film, and though Snoop doesn’t prefer to act, he was willing to do it for Bromates.

Court and the production team pursued several different comedians who could bring plenty of laughs and gags to the movie. They found comedic actors who could do a ton of improv. A good portion of the movie is ad-libbed, and Court found it easy to work with funny people who make the script stronger. Court would shoot the scene once for coverage, and then they’d start playing around. As a director, Court values time management, so he knew it was important to know when to say when, and to limit the amount of takes for each scene. They only had a five week shoot, and he found it was important to hit the main story points so that the plot stayed cohesive than just keep shooting endless jokes.

Court is the found and CEO of the ad agency, Positivity, with screenwriting as just a side gig. His first script was for a movie called A Lobster Tale, which he sold and then was finally made 10 years later. Court also wrote the first draft of the movie Old School, based on his experience of being in a fraternity. He pitched the story to director Todd Phillips, sold the idea and received “story by” credit for the film.

Find Court Crandall: https://www.positivitybrand.com/new-page-2
Instagram: @courtcrandall
Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep188/

Sponsored by Aputure: https://www.aputure.com/
Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz