January 22, 2025

Rina Yang, BSC: Igniting The Fire Inside

The Fire Inside is the true story of Claressa “T-Rex” Shields, a boxer from Flint, Michigan and her trainer, Jason Crutchfield. She became the first American woman to win Olympic gold in boxing. The Fire Inside is the feature directorial debut for Rachel Morrison, the first woman cinematographer nominated for an Academy Award.

Cinematographer Rina Yang, BSC enjoyed the ability to speak with director Rachel Morrison in a shorthand way about shooting the film. “It did help that I’ve known Rachel for a while, just being female DPs in this boys’ game,” she says. “It was nice to be able to skip the tech chat and get to the point, because we had a really insane schedule.” The film’s production had faced numerous challenges, having to shut down during COVID in 2020 which halted filming for two years. Once The Fire Inside was greenlit again, they faced an accelerated production schedule in Toronto. Rina prepped by watching a documentary about Claressa Shields called T-Rex and watched all her fights in the 2012 Olympics as references. She and Rachel meticulously shotlisted every scene and entered it into a detailed spreadsheet so that they knew what they needed each day.

The Fire Inside focuses on capturing the intensity of Shields’ journey, both inside and outside the ring. “Rachel and I talked about how we wanted to shoot the boxing,” Rina explains, “but we decided that ultimately, we just wanted to feel the fight from Claressa’s point of view rather than doing cool boxing shots.” This approach led to a raw and intimate portrayal of the sport, emphasizing the emotional and physical toll on Shields. Actor Ryan Destiny underwent rigorous training to perform all the boxing scenes herself, and Rina often opted for handheld cameras to capture the raw energy of the story. Rina and Rachel both operated a few of the boxing scenes. Rina didn’t hesitate to tell Rachel how her camerawork was looking. “I was really honest. She would ask if she did a good job. I’d say that was good, or suggest a move that’s less active and a little bit more quiet with the camera.”

Rina’s path to becoming a cinematographer was not a direct one. After moving to London from Japan at 21 with limited English, she decided to pursue film school. While working on a film set, Rina was inspired by Sara Deane, a female cinematographer, and realized that cinematography was her true calling. She subsequently honed her skills through a series of short films, music videos, and commercials.

You can see The Fire Inside currently in theaters and streaming on VOD January 28.

Find Rina Yang: Instagram @the_rinayang

Hear our previous interview with Rachel Morrison about her work as a cinematographer on Mudbound: https://www.camnoir.com/ep19-2/

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The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
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January 3, 2025

Phedon Papamichael: Unveiling Bob Dylan in A Complete Unknown

We welcome back Phedon Papamichael, ASC, GSC for the fourth time on The Cinematography Podcast.

Cinematographer Phedon Papamichael started preproduction on A Complete Unknown with frequent collaborator, director James Mangold in 2019, before being postponed by the pandemic. They began prepping in summer 2023 and shooting in earnest by the early spring of 2024, which worked well for capturing the changing of the seasons in New York. The long lead time was a huge benefit for both the cast and crew. Phedon and the production team had time to research the time period, create an extensive lookbook of period photos and mull over the script and characters. Actor Timothee Chalamet had time to practice guitar and harmonica and was able to perform most of the songs live.

Phedon was very familiar with the music of Bob Dylan, and grew up listening to the artist. He wanted to capture how Dylan evolved and developed as a musician. The set was very intimate, and Chalamet completely absorbed the character of Bob Dylan, frequently watching playback on set, then finding something new with each take. “It was very much this organic process of us capturing and him discovering the character,” says Phedon. “And you could just see it was so enjoyable for every crew member. Everybody was inspired by it.”

A Complete Unknown used very few sets and stages, and the production designers transformed two blocks of New York City streets into the 1960’s. Phedon shot digitally on the Sony Venice 2 camera, which was then scanned to a film negative and then scanned back to digital. Influenced by the films Klute, The Godfather and The French Connection, he wanted A Complete Unknown to have the Kodachrome look with an earthy color palette. Phedon used lighting that was appropriate for the time period as well, using white and tungsten lights, enhanced with numerous practicals on the set. He embraced the mood of the nightclub scenes, with a single source spotlight hitting the performers on stage and the audience lit with candles on the tables. As the movie progresses into the ’60’s and Bob Dylan becomes more famous, Phedon began to change the look of the film. “It becomes a little bit more expressionistic, a little more aggressive,” he says. “The stage lights become a little bit bigger, the highlights are a bit hotter, the contrast and shadows are more extreme.”

Phedon’s ultimate goal as a cinematographer is to stay subtle. “I never want anybody to perceive or feel that I’m lighting something,” he says. “I never want it to feel like there’s a craftsman behind it. I always like the photography to just allow us to focus on the character, and really not distract from it.”

Find Phedon Papamichael: Instagram @papa2

Hear our previous interviews with Phedon Papamichael on The Trial of the Chicago 7, Ford v. Ferrari, and our live podcast interview.

You can see A Complete Unknown currently in theaters.

Sponsored by Hot Rod Cameras: https://hotrodcameras.com/
Sponsored by Venus Optics, Laowa lenses: https://www.venuslens.net/

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

March 22, 2023

Director Jon S. Baird on the new Apple TV+ movie, Tetris

The new Apple TV+ movie Tetris tells the unbelievable but true story of how the video game became a worldwide phenomenon. Entrepreneur Henk Rogers (Taron Egerton) discovered Tetris in 1988 and partnered with Soviet inventor Alexey Pajitnov (Nikita Efremov) to bring the game from the USSR to the entire world. Tetris is a fast-paced, compelling Cold War–era thriller as Henk and Alexey race to outmaneuver their competitors who are determined to get to the market first with the “perfect” video game.

Director Jon Baird loved the script for Tetris because it was fun, fast-paced, full of political intrigue and family drama, yet based on reality. Jon decided to shoot the film in Scotland, around his hometown of Aberdeen. Moscow in the 1980’s was a very gray place, where it actually felt like someone had turned the color off. Jon worked with his DP Alwin H. Küchler, and they decided to keep the color palette desaturated in grays and browns. Aberdeen is often cloudy, with gray granite buildings, making it a great place to substitute Soviet-era Russia. Tetris producer Matthew Vaughn was very instrumental in the post-production process, and they worked with the visual effects team to put together just the right amount of video game elements in the film.

Jon grew up in a fishing town in Scotland without any connection to the movie industry. His dad loved musical theater so they would often go to London to see plays. He loved the feeling seeing live theater and movies gave him, and Jon knew he wanted to pursue a career in movies. Once he was old enough, Jon moved to London and after a few years he found a job as a production assistant, that eventually led to another job at the BBC, learning as he went. His short film It’s a Casual Life led to a technical advisor position on Green Street Hooligans, directed by Lexi Alexander, which became his big break. Jon has also won a BAFTA for directing the film Stan & Ollie.

Tetris will be streaming on Apple TV+ on March 31.

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
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The Cinematography Podcast website: www.camnoir.com
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Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz