August 28, 2026

Building a nearly silent crime drama in Motor City

Cinematographer John Matysiak on shooting Motor City’s nearly dialogue-free story, real in-camera stunts, and building its 1970s Detroit look from film tests.

Podcast highlights include:

-Why Motor City tells its story with almost no dialogue, and how that shaped everything from frame rate to needle-drop music. The crew tested wildly different frame rates to find moments where the image alone could carry the emotion of a scene.
-The commitment to shooting practical over digital, including a real car fight and a one-day elevator brawl. The team built real stunts on real streets, saving resources for the effects work that truly needed it.
-How the team engineered Motor City’s period 1970s Detroit look. Side-by-side film tests on 35mm and Alexa helped the team reverse-engineer a great film look for digital.
-Pulling off an ambitious 44-location shoot in just 27 days. Heavy pre-production and storyboarding gave the crew the flexibility to improvise and pivot when locations and permits fell through at the last minute.

Find John Matysiak: https://www.johnmatysiak.com/
Instagram: @john_matysiak

Motor City is still in select theaters and available on pay per view.

Hear our past interview with John Matysiak and Potsy Ponciroli on their film, Old Henry: https://www.camnoir.com/ep143/

SHOW RUNDOWN:

02:09 Close Focus
12:46-01:01:45 John Matysiak Interview
01:02:26 Short Ends
01:11:33 Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

October 13, 2021

Old Henry director Potsy Ponciroli and cinematographer John Matysiak

Director and writer Potsy Ponciroli was scouting a location for another movie in the countryside just outside Nashville, Tennessee when he saw a historic old house built in the early 1900’s at the bottom of a valley. He began thinking about how lonely and isolated a person living in that house might be, and it planted the seed of an idea to write Old Henry. Potsy ended up using that exact location, shooting in that house and the surrounding area. He and cinematographer John Matysiak set out to capture the feel of a classic western- a simple story taking place in the old west, showing how hard life was at that time.

Old Henry is an action western starring Tim Blake Nelson as a farmer with a teen son living alone on their farm. Against his better judgement, Henry takes in a wounded stranger with a bag full of cash. Soon enough, a posse comes looking for the wanted man and Henry and his son must defend their homestead. Potsy approached Tim Blake Nelson to star in the film, and the two met several times over Zoom to discuss ideas from their favorite westerns. Soon, Nelson was also on board as an executive producer.

During preproduction, Potsy and DP John Matysiak walked around the location, reading the scenes from the script, checking out different angles and shotlisting each moment. Shooting in a real homestead built in the 1900’s was very challenging due to the small rooms with low ceilings and small windows that didn’t let in much natural light. To keep the look fresh in such a limited space, they carefully figured out what scenes would be in what rooms and made sure they weren’t shot back-to-back.

John first met Potsy when they were working on a television show in Nashville together. When Potsy showed him the Old Henry script, John liked the ideas he had for keeping the film small and plot driven until it builds to the finale. John is passionate about finding a visual language for the world he’s creating with the art of cinematography. He did as much research as he could for that time period, looking at old photographs and paintings from the early 1900’s Old West to get a feel for how people lived at that time. He was influenced by more recent westerns such as The Assassination of Jesse James by the Coward Robert Ford and Hostiles.

John Matysiak and Ben Rock actually met through the group Filmmakers Alliance and John worked on Ben’s short film, Conversations as a gaffer back in 2003.

Find Potsy Ponciroli: Instagram @getpotsy

Find John Matysiak: Instagram @john_matysiak

Old Henry premiered at the Venice Film Festival and is currently playing in theaters and will be on demand on October 15th.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep143/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

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Be sure to watch our YouTube video of Nate Watkin showing how Assemble works! https://youtu.be/IlpismVjab8

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The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz