Vanja Černjul began his career in the U.S. filming small independent films like “Wrist Cutters, A Love Story” before breaking into television, shooting the pilot for “Ugly Betty” then going on to DP the first season of “30 Rock.” He developed the realistic, naturalistic lighting looks for “Nurse Jackie” and “Orange is the New Black,” and created the grainy, gritty 70’s look for HBO’s “The Deuce.” Vanja’s biggest project to date is “Crazy Rich Asians,” which has become the highest-grossing romantic comedy of the last 10 years. He talks about its success, working with director Jon M. Chu and finding a gorgeous, unconventional look for a romantic comedy.
July 13, 2019
Ep 39 – Manuel Billeter – Talks the Marvel/Netflix series Jessica Jones, Luke Cage, Orange is the New Black and working with Alfonso Cuarón
Manuel Billeter discusses his early career and getting his big break working in post production editing “Y Tu Mama También” for director Alfonso Cuarón, who encouraged him to pursue a path in cinematography. He talks about the high profile series he’s worked on, such as “Law and Order,” and “Person of Interest,” how a show getting canceled or getting fired can lead to better opportunities, working in urban settings with night exteriors and the incredible energy it can generate. When creating the unique noir feel for “Jessica Jones” and “Luke Cage,” Manuel loved the look of sodium vapor streetlights, but most of New York has converted to LED lights, so each individual streetlight was gelled to get the yellower look.
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Anders Uhl on War Stories Vol. 6: Tales from the Set featuring Jim Frohna, Bruce Van Dusen, Randy Thom, Adam Somner, Paul Cameron, Xavier Grobet, Eric Branco, Tommy Maddox-Upshaw, Maryse Alberti, John Benam, Roberto Schaefer and Ben Rock