November 30, 2021

Eduard Grau, ASC on shooting Passing, working with director Rebecca Hall, A Single Man with director Tom Ford, shooting Buried

Cinematographer Eduard Grau, ASC thinks it’s important to take risks in filmmaking because it sparks creativity and passion for what you’re doing. Passing director Rebecca Hall had worked with Edu on several films as an actor, and trusted him to bring his creative skill to her first directorial project. Based on the 1929 novel by Nella Larsen, Hall had been trying to get the movie made for several years. She held firm on her vision from the beginning that Passing would be a black and white film, and she wanted it to be in the square 4:3 aspect ratio as a throwback to the movies of the 1930’s time period, so that the characters were more intimately centered in the frame. Edu was excited to work on such an exceptional film, in which cinematography is so integral to both the look of the film and the storytelling narrative.

Passing explores race and identity in the lives of two former friends who reconnect in late 1920’s Harlem. Ruth Negga’s character Clare is passing as white while Tessa Thompson’s character Irene is a respected member of the black community. Hall wanted the film to feel very restrained, as the characters are feeling under constant scrutiny, and the story is told mainly through the women’s faces. Edu kept the shots close and intimate, with very natural lighting.

Edu grew up in Spain and became interested in cinematography in high school. He went to film school in Barcelona and the UK. He made a short film that went to Cannes, then had a chance meeting with a producer at the Edinburg Film Festival. She passed his reel to Tom Ford who needed just the right DP to shoot A Single Man. Ford saw exactly what he was looking for in Edu’s reel and asked him to fly out to the U.S. It was Edu’s first movie on 35mm, his first movie in the United States, and his first movie with such big movie stars. After A Single Man, Edu went on to shoot Buried starring Ryan Reynolds, whose character is buried alive. He loved the challenge of shooting Buried in an interesting way with such extremely limited space constraints.

You can watch Passing on Netflix.

Find Edu Grau: http://www.edugrau.com/
Instagram: @eduardgrau

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep149/

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March 1, 2020

Sundance 2020-Location, Location, Location: The Night House director David Bruckner, writers Ben Collins and Luke Piotrowski; Black Bear director Lawrence Michael Levine

Sundance 2020 Special Part 2: Location, Location, Location
These two very different movies both had striking locations that set the tone for the films.

The Night House director David Bruckner and writers Ben Collins and Luke Piotrowski enjoy working in the horror genre, and wanted to explore making a film that doesn’t make you “feel safe” with many dense layers. The film deals with the horror of grief, loss and loneliness faced by the main character, Beth, played by Rebecca Hall. The Night House was shot mostly at night in a lake house in upstate New York.

The Night House was one of the first deals to close out of Sundance this year. It sold for $12 million to Disney-owned Searchlight.

Black Bear takes place in a large lake house estate, and director/writer Lawrence Michael Levine wrote the script with a specific location in mind. Unfortunately, the original location fell through, and Levine had to find another spot, which turned out to be quite remote but amazingly striking on film. The movie stars Aubrey Plaza, Christopher Abbott and Sarah Gadon, whose characters and performances script-flip midway through the film, but we are never meant to know what the characters actually think. The movie wittily explores issues of gender and feminism, and later, has a funny take on indie filmmaking.

Black Bear has yet to find distribution.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/sundance2020location/ ‎

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