September 21, 2020

Ben Kutchins, Emmy-nominated cinematographer of Ozark, on creating the look of the show, working with Jason Bateman, the Veronica Mars movie, Mozart in the Jungle

Cinematographer Ben Kutchins feels that in filmmaking, you have to be fully committed to believing the story you’re telling, and your focus must be unwavering when shooting. There is no other story happening in the world other than the story you’re telling. This single-mindedness has served Ben well when shooting the series Ozark for Netflix, which is shot with very controlled light sources and camera movements. Every scene in the show is planned out carefully to reveal more about the story or the character. He and director/producer Jason Bateman wanted it to always look dark and shadowy, and many of the shots in the show are done as “oners,” or one long take. It might take seven to ten takes to get the oner, depending on how intricate it is. Before Ozark, Ben started off exploring still photography as a teen, then landed an internship at Industrial Light and Magic (ILM), which led to a production assistant job at ILM. He had the opportunity to use the lab at Lucasfilm to experiment and process film to understand how it could look. But Ben knew his passion was film, so he enrolled at NYU Film School in order to learn more and work with other young filmmakers such as Rachel Morrison and Reed Morano. He shot about 60 short films in two years, then worked on several indie films before getting hired to shoot the Veronica Mars movie and then the Amazon series, Mozart in the Jungle. Shooting Mozart in the Jungle gave Ben the opportunity to work with and learn from very seasoned directors. He thinks working in television has been an amazing opportunity to collaborate with other DPs and that television has helped him develop a style and hone his craft.

You can find Ozark season three streaming on Netflix.

Find Ben Kutchins: http://www.benkutchins.com/
Instagram: @benkutchins

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep92/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

WIN a Sony A7SIII, Gitzo tripod and $100 Hot Rod Cameras gift card! Worth over $4,000, for one lucky winner! Follow us on Instagram @thecinepod and click on the link in bio to enter by September 29, 2020.

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

June 21, 2020

BONUS Episode: Alexandra Cunningham, showrunner of Dirty John on adapting the popular podcast into a television series

The Cinematography Podcast Bonus Episode: Alexandra Cunningham

Showrunner Alexandra Cunningham talks about season one of her hit series Dirty John with producer Alana Kode at the 2019 Produced By conference. She tells the story of adapting the podcast for television and explains her role as the showrunner, executive producer and writer on the series. Alexandra hadn’t listened to a podcast prior to hearing the Dirty John podcast, and she developed an instant love for the podcasting medium. As a showrunner, she sees a great future in adapting podcasts into television shows and loves the crossover partnership of shows such as HBO’s Chernobyl and Watchmen that included a weekly podcast in addition to the TV show.

You can watch season two of Dirty John: The Betty Broderick Story right now on the USA Network: https://www.youtube.com/watch?v=0EE2cnrGeH4

Hear the companion podcast, Dirty John Season 2: The Podcast. https://podcasts.apple.com/us/podcast/dirty-john-season-2-the-podcast/id1513500047?ign-mpt=uo%3D2

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/bonusdirtyjohn/

Sponsored by Hot Rod Cameras www.hotrodcameras.com
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz