April 6, 2022

Cinematographer Jessica Lee Gagné on Severance, working with Ben Stiller, Escape at Dannemora, Mrs. America

Severance, a trippy, mind-bending thriller on Apple TV+, takes the idea of work/life balance to an extreme. Certain employees working for the mysterious corporation, Lumon, undergo a surgical procedure called severance that plants a chip in their brain. Severed employees can’t remember anything from their personal lives while at work, and outside of work, they can’t access their memories of their office life. This creates two separate people, known as “innies” at work and “outies” at home.

Cinematographer Jessica Lee Gagné grew up in Quebec City, Canada, surrounded by movies from her father’s video stores which sparked her love of film. She took photography in school, then enrolled in a film program in Montreal. Jessica first began working with director Ben Stiller on the Showtime series, Escape at Dannemora. The two enjoyed working together, and while shooting Escape at Dannemora, Stiller was already talking about directing Severance. Jessica didn’t particularly like the idea of shooting an office show with absolutely no windows, with the same lighting setups over and over. However, during the preproduction process, she was able to find references that allowed her to find ways to shoot the Lumon offices in a cinematic way. The production design team also created a very strange and surreal world within the gigantic building, whose brutalist exterior is a real location at the former Bell Works in Holmdel, New Jersey.

Jessica crafted a unique camera style for Severance. Most of the scenes that take place in the Lumon offices are done with tracking dollies on remote heads, rather than with Steadicam. She enjoyed playing with camera height, often showing the ceiling and choosing wide, surveillance-like angles from corners or above. The office workers are often physically “severed” in shots- by cubicle walls, computers or doorways. In the elevator up or down from the office, the office workers transition from their “innies” to their “outies,” with a dolly in and zoom out on their faces to create a morphing effect.

Find Jessica Lee Gagné: https://www.jessicaleegagne.com

Instagram: @jessicaleegagne

See Severance on AppleTV+: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep164/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Arri: https://www.arri.com/en

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

March 23, 2022

Jenelle Riley, Variety’s Deputy Awards and Features Editor, discusses the 2022 Academy Awards nominations

Long-time friend and colleague Jenelle Riley of Variety magazine chats with Ben and Illya for our third annual Oscar nominations special. They discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized.

Here’s a rundown of some of the nominations discussed in this episode, as well as great films that were not nominated this awards season. Listen to our interviews with some of the nominated DPs and other noteable films of the year!

Annette
The Sparks Brothers
The Power of the Dog, Ari Wegner
Jane Campion
Zola
Dune, Greig Fraser
Denis Villeneuve
Nightmare Alley, Dan Laustsen
The Tragedy of Macbeth, Bruno Delbonnel
Westside Story, Janusz Kominski
Steven Spielberg
King Richard, Robert Elswit
Cyrano, Seamus McGarvey
Licorice Pizza, Paul Thomas Anderson
Belfast, Haris Zambarloukos

Find Jenelle Riley on Instagram and Twitter: @jenelleriley and Variety: https://variety.com/

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/oscars2022/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

March 2, 2022

Judith Weston, author of Directing Actors: Creating Memorable Performances for Film and Television, 25th Anniversary edition

Judith Weston has coached and taught directing classes to several now renowned directors, such as David Chase, Ava DuVernay and Taika Waititi. She has updated her book, Directing Actors for its 25th anniversary edition, revising nearly every chapter and adding two new ones.

Judith teaches that a director must have a vision. It’s the director’s job to be the shepherd of the story and have it mean something. The director must also go deeper to figure out what matters to the story, and listen, communicate and collaborate with the actor on the ideas they are trying to convey. A key chapter in Directing Actors discusses how a director must find the “emotional event” or the key dynamics in each scene. This is something both the cinematographer and the editor must understand as well to make a good movie great. Finding the essential emotional event in a scene is what changes someone from simply wanting to be a director into actually thinking like a director.

Find Judith Weston: https://judithweston.com/

Directing Actors: Creating Memorable Performances for Film and Television, 25th Anniversary Edition is available on Amazon

WIN an autographed copy of Directing Actors, 25th Anniversary Edition! Follow us on Instagram (if you don’t already!) @thecinepod and comment on our post for this episode!

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep161/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by DZOFilm: https://www.dzofilm.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz