February 3, 2021

Director Ryan White and cinematographer John Benam on the documentary Assassins

When filmmaker Ryan White first heard about the murder of Kim Jong-nam, the half brother of North Korean leader Kim Jong-un in early 2017, he paid little attention to the story until a reporter called to let him know that it might make an interesting documentary. Kim Jong-nam was poisoned in the middle of a crowded Malaysian airport by two young women who smeared a highly poisonous nerve agent on his face. On the surface, these women seemed like bold, cold-blooded killers. But once Ryan and cinematographer John Benam flew to Malaysia to find out more about the story, they soon realized that the political assassination plot went deep, the women might be innocent, and were likely duped by North Korean operatives. The two women, Siti Aisyah and Doan Thi Huong, were put on trial for murder in Malaysia. Ryan was able to speak with their lawyers and eventually interview Siti and Doan. With help from the women’s defense lawyers, the Assassins editorial team painstakingly pieced together all the security footage from the airport and put together the entire sequence of events during the assassination. They were also able to see and use within the film many of the text messages the women exchanged with their handlers, which clearly pointed to their complete ignorance of what they were getting into.

Ryan feels Assassins became controversial and had trouble finding distribution not because of the political content, but because big online companies feared retribution, as occurred with Sony Pictures getting hacked by North Korea when they released the film The Interview.

Cinematographer John Benam has worked on several documentaries with director Ryan White, beginning with the the Netflix series The Keepers, about the murder of a nun and the cover-up of sexual abuse in the Baltimore Catholic Church. When John first decided to make a career out of filmmaking, he knew he wanted to stay in Baltimore, and started working in a camera shop during the switch from film to video. Luckily, Baltimore has a bit of a film industry and he was able to work locally on several TV shows, then got a job working for National Geographic shooting nature documentaries.

For Assassins, John and Ryan dove deep into Siti and Doan’s story, exploring where they came from and what brought them to Malaysia. They felt it was important to have the women tell their own story, and it required patience and sensitivity. John is a mission-oriented, emotional cinematographer, and shooting nature documentaries taught him the skill to sit still, keep a low profile, and watch a story unfold. John had to travel light and nimble, taking dozens of trips to Malaysia for the story over the course of two years while the trial was going on. He used two Canon EOS C300 Mark II cameras for shooting, because of its lightness and small size, staying under the radar from the general public. As he learned about the intricacies of the Malaysian legal system and shot the trial, John felt very emotional about the outcome of a guilty verdict for the women, which would mean execution by hanging.

You can watch Assassins streaming now in virtual cinemas: https://www.assassinsdoc.com

Find Ryan White: http://www.tripod-media.com/

Find John Benam: https://www.benamfilms.com/

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep111/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

January 10, 2021

Jake Swantko, DP and producer of The Dissident, on working with director Bryan Fogel and shooting the controversial documentary

Cinematographer Jake Swantko spoke with us last year at the Sundance Film Festival after the premiere of The Dissident, the documentary he shot with director Bryan Fogel. Jake and Bryan had previously collaborated on the Oscar-winning film, Icarus. The Dissident explores the assassination and international coverup of outspoken Washington Post journalist Jamal Khashoggi.

Once director Bryan Fogel learned more about the circumstances surrounding the death of Khashoggi, he knew this was another important- and dangerous- subject to film for his next documentary. Bryan took the idea to Jake, who also worked as a producer on the film, and they began the grueling process, traveling to Canada and Turkey multiple times to interview Khashoggi’s close friend and Saudi insurgent Omar Abdulaziz, speaking to Khashoggi’s fiancée Hatice Cengiz, spending a year digging into the case and meeting with the Turkish government. The Dissident team knew they had to have the cooperation of Turkey to shoot the story, since Khashoggi was murdered at the Saudi consulate in Istanbul, and they eventually scored an interview with Irfan Fidan, the chief prosecutor in Istanbul who investigated the murder. Since The Dissident was so huge in scope, Jake knew he wanted to elevate the production value of the film and shot it like a dark thriller. He set up most interviews formally instead of run-and-gun style, with three cameras and one on dolly track to push in on the subject’s face.

Despite being well received at Sundance, The Dissident struggled to find a distributor, even from Netflix, who had championed Icarus. Amazon Prime also would not buy the film, despite Jeff Bezos briefly being in The Dissident- Jamal Kashoggi wrote for his newspaper, The Washington Post and Bezos’ phone was hacked by Saudi Arabian government hackers. It seems the streaming services feared retaliation by the Saudi government and didn’t want to risk losing viewers in that market. Briarcliff Entertainment finally championed The Dissident, and it is currently available on VOD.

The Dissident is available to stream now on video on demand services. https://thedissident.com/

You can hear our past interview with Jake Swantko in 2018 talking to us about the Oscar winning documentary, Icarus. https://www.camnoir.com/special-swantko/

Find Jake Swantko: https://www.jakeswantko.com/
Instagram @swantko

IT’S A GIVEAWAY! Last week to enter to win Bruce Van Dusen’s book, 60 Stories about 30 Seconds: How I Got Away with Becoming a Pretty Big Commercial Director Without Losing My Soul (or Maybe Just Part of It). Like and comment on our Bruce Van Dusen post on Facebook and we’ll choose a winner from the comments. https://www.facebook.com/cinepod

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep108/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz