May 22, 2026

Evoking dread in Something Very Bad is Going to Happen

Krzysztof Trojnar is the cinematographer of the Netflix series, Something Very Bad is Going to Happen. It’s a genuinely unsettling horror show about a woman whose anxiety about an upcoming family wedding spirals into something far darker, with Krzysztof’s camera work enhancing the feeling of dread.

Key Podcast Highlights:
-How the visual language of the show deliberately evolves across episodes, moving from Steadicam to gimbal to handheld to body rig, mirroring the protagonist’s psychological deterioration in real time.
-Committing to a single lens for nearly the entire show. Krzysztof shot roughly 90% of the series on a 25mm, and he explains exactly why that choice creates presence without distortion.
-Fabricating a custom 360° body camera rig from scratch, because nothing like it existed as a rental. The rig used a Steadicam vest fitted with an industrial bearing to orbit the camera around the actress in the show’s harrowing final episode.

Find Krzysztof Trojnar: https://krzysztoftrojnar.com/
Instagram @krzysztof_trojnar
See Something Very Bad is Going to Happen on Netflix
Hear our previous episode with Krzysztof Trojnar on the series Baby Reindeer: https://www.camnoir.com/ep269/

SHOW RUNDOWN:

02:17 Close Focus
13:35-58:31 Krzysztof Trojnar interview
59:14 Short ends
01:07:08 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

April 17, 2026

Two horror films, one DP: They Will Kill You, Faces of Death

The Cinematography Podcast Episode 353: Isaac Bauman

Cinematographer Isaac Bauman captured the visual identities of two different horror movies in They Will Kill You and Faces of Death. Both films are currently in theaters. Bauman discusses the intricate technical gymnastics required to give each film a distinct, cinematic feel.

Key Podcast Highlights:

-Carefully developing the look of They Will Kill You and Faces of Death with each film’s director.
-Solving big lighting challenges for They Will Kill You’s climax, using a massive 18K light that had to be repeatedly moved.
-Working with practical puppeteering effects for the crawling eyeball in They Will Kill You, which gave the scene a higher sense of realism.
-Shooting on 35mm film for Faces of Death and intentionally reducing the camera’s visual capabilities. Isaac used wider lenses, stopped down, and embraced darkness to enhance the gritty, filmic quality of older movies.

Find Isaac Bauman: Instagram @isaacbauman
See They Will Kill You and Faces of Death in theaters.
Hear our previous interview with Isaac Bauman: https://www.camnoir.com/ep242/

Show Rundown:
02:12 Close Focus
10:28-01:00:24 Isaac Bauman interview
01:00:45 Short ends
01:07:34 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social