December 30, 2020

Erik Messerschmidt, ASC: Mank, Mindhunter, Legion, Raised By Wolves, working with David Fincher

Erik Messerschmidt, ASC believes that cinematographers get too much credit for how a movie looks and not enough for how the story is told. When you break a scene apart and assemble a sequence, the cinematographer has a huge part to play in the process of deciding when to move the camera, what lenses are used, how it flows and when it moves. Erik thinks when you look at it that way, cinematography has a lot more in common with editing rather than photography.

Erik’s most recent project, Mank- which is currently streaming on Netflix- was shot entirely in black and white. The look was the result of lots of conversations with director David Fincher. They both had a clear idea of what they wanted it to look like and also exactly what they did not want- too much heavy handed, contrast-heavy black and white cinematography in a film-noir style would take the viewers out of the experience, so it needed a lighter touch. Erik used fine art photography from the ’30’s to the mid ’40’s as a reference, and he and David Fincher wanted an homage to Citizen Kane without it actually looking like the film. Fincher was clear that he wished to transport the audience so they would lose their awareness of watching a black and white movie, and feel as though they are in the world of Herman J. Mankiewicz as he writes the script for Citizen Kane in the 1940’s.

Erik has worked with director David Fincher on several projects, first working as a gaffer on Gone Girl, then moving into the camera department on the series Mindhunter. Erik and David have become very close collaborators, and he enjoys working with him. Fincher likes a sense of hyper reality to his movies, and Erik sees it as his job as the cinematographer to learn what the director responds to, figure out how best to support their process and bring something to the party.

Before moving into the camera department, Erik worked for several years as a gaffer. After working with David Fincher on two seasons of Mindhunter, Erik needed more work since he was a newly minted director of photography. He got the opportunity to shoot second unit on Sicario: Day of the Soledado with cinematographer Dariusz Wolski as the lead DP. He then worked on a few episodes of the TV series Legion with producer/director Noah Hawley and DP-turned-director Dana Gonzales, which was visually fun to work on. Legion’s look was whimsical yet dark, as it explored the main character’s mental illness and possible superpowers. He had the opportunity to work with Dana again on the finale of season four of Fargo. Erik also shot several episodes of the Ridley Scott series, Raised By Wolves, splitting the series with DP Ross Emery.

Mank is available to watch right now on Netflix.

Find Erik Messerschmidt: Instagram @emesserschmidt

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Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep107/

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April 22, 2020

Jeff Cronenweth, ASC on David Fincher, Fight Club, growing up in Hollywood, music videos, Mark Romanek, One Hour Photo, Gone Girl, The Social Network and the new Amazon series Tales from the Loop

Jeff Cronenweth comes from three generations in the film business and followed his father, cinematographer Jordan Cronenweth (Blade Runner) into a career as a director of photography. Growing up on film sets and working alongside his father enabled Jeff to take a hands-on role in the camera department. He started as a loader and camera assistant, getting into the union while attending USC. He met David Fincher while working on the Madonna music video “Oh Father” as a camera assistant. Fincher gave Jeff his first opportunity to DP for the film Fight Club. Jeff’s collaboration with Fincher later earned him two Oscar nominations- one for The Social Network and one for The Girl with the Dragon Tattoo. He also began working with director Mark Romanek on music videos, such as Eels “Novocaine for the Soul” and Nine Inch Nails’ “The Perfect Drug.” Jeff and Romanek also worked together on the feature film, One Hour Photo starring Robin Williams. The film presented many lighting challenges since the bulk of it takes place inside a store with flat white lights before the darker undertones of the movie are revealed.

Jeff also shot the pilot for Tales from the Loop with director Mark Romanek, streaming now on Amazon Prime. https://www.youtube.com/watch?v=1htuNZp82Ck

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Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep72/

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September 24, 2019

Don M. Morgan, ASC: talks Starman, Christine, Seven, working with John Carpenter, Robert Zemeckis, Steven Spielberg, David Fincher, Joseph Sargent

Legendary cinematographer Don Morgan shot “Used Cars” and “I Wanna Hold Your Hand,” with Robert Zemeckis; Steven Spielberg’s “1941,” and John Carpenter’s “Starman” and “Christine.” Don also filmed the iconic aerial scenes in “Seven” for director David Fincher and talks about his long television career with director Joseph Sargent.