Acclaimed Danish cinematographer Dan Laustsen talks to Illya about working with Guillermo del Toro on The Shape of Water, Crimson Peak and Mimic. Del Toro’s frequent collaborator discusses the ease of shooting digital cinema now vs. the old days of relying on a lab to process the film correctly. For the John Wick films, lens choices and tricks played a big part in how he and director Chad Stahelski accomplished a flare effect on the films. In John Wick-Chapter 3- Parabellum, Dan discusses shooting mainly at night and created a glistening, rainy look.
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