July 20, 2022

Cinematographer Paula Huidobro on CODA, Pam & Tommy, Physical

Our returning guest is Paula Huidobro, who has been very busy the past few years shooting the 2022 Best Picture winning film CODA, the Hulu series Pam & Tommy, and the AppleTV+ series Physical, just to name a few.

Paula and CODA director Siân Heder knew each other as grad students at AFI, and have worked together on four other projects including the film Tallulah and the show Little America. For Paula, shooting CODA was definitely a different process. There were interpreters for each of the actors on set, and most shots had to be framed as medium shots so that their hands could be seen while they were talking. There could be few over the shoulder shots, or someone saying lines with their back to the other person. Siân Heder and Paula wanted to make sure that a deaf person watching the movie could understand exactly what the actors were saying. CODA is set in a New England fishing village, and Paula found it was a very visual environment to shoot, and extra challenging going out on a fishing boat in the ocean.

The Hulu show Pam & Tommy is about the 1990’s stolen sex tape of Pamela Anderson and Tommy Lee. Paula served as DP for every episode of the 8-part series, and she watched Pamela’s film Barb Wire and Tommy’s Mötley Crüe performances for the references. It was hard work to shoot every single episode- she felt she never had enough prep time with the director, location scouting or script. She enjoyed working with director Craig Gillespie (I, Tonya, Cruella) who also was the pilot director on Physical. He wanted to give complete freedom to the actors to move within the scene, so Paula would light the whole space and would start with her camera all the way wide, then push in for a close up. It was like a dance between the actors and they would explore the scene as they filmed it. Paula would shoot in nearly one take then just pick up whatever was missing. Pam & Tommy has a very aggressive style, using a lot of shots pushing in closer and closer, as the release of the sex tape and the fallout for Pamela’s career becomes an unstoppable freight train. It also has elements of humor and absurdity, and Paula enjoyed the novelty of shooting scenes with Tommy’s talking penis (an animatronic). Pam & Tommy had an excellent makeup and prosthetics department, and actors Lily James and Sebastian Stan are made up to be remarkable likenesses of Pamela Anderson and Tommy Lee. Paula found the makeup to be so good that it wasn’t difficult to light the actors. Most of all, Paula and each of the directors wanted to be thoughtful in how they portrayed Pamela Anderson and how her world and entire career had been shattered by illegally releasing this tape.

Physical explores the troubled interior life of Sheila Rubin, an extremely unhappy 1980’s suburban housewife with an eating disorder. But once she finds aerobics, things begin to change for her. Paula finds Physical to be a very dark show, but she really likes how they portray Sheila’s inner thoughts. The character almost always says one thing but in her mind she’s thinking dark thoughts about herself or someone else. Paula would hold shots on actor Rose Byrne a bit longer so that later, her inner thoughts are added in voiceover. The show has great production design- a mix of drab and dark 70’s interiors with big splashes of 80’s color saturation on the set, especially during the workout scenes. Paula enjoyed being able to do some fun and playful things with lighting and camera work for the aerobics sequences.

Find Paula Huidobro: https://www.paulahuidobro.com/
Instagram @paulahuidobro

CODA is streaming on AppleTV+. Physical Season 2 is currently streaming on AppleTV+. You can find Pam & Tommy, a limited series, on Hulu.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep175/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by DZOFilm: https://www.dzofilm.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

February 16, 2022

Catch The Fair One director Josef Kubota Wladyka and actor/screenwriter Kali Reis

Catch the Fair One is about Kaylee “K.O.” Uppashaw, a mixed Indigenous boxer who is searching for her sister, Weeta, who has been missing for two years. K.O. sets off on a dark and dangerous journey as she willingly allows herself to be exploited by a sex trafficking ring to find out what happened to her sister. Catch the Fair One is the second feature for Josef Kubota Wladyka, who has also directed episodes of Narcos, Fear the Walking Dead and The Terror. It’s the acting debut for Kali Reis, who is an Indigenous/Cape Verdean world champion boxer and activist for missing and murdered Indigenous women of North America.

Josef met Kali through a friend’s boxing gym. Watching her train and box helped Josef form an idea for the story of Catch the Fair One and he wanted a collaborative partner who could help shine a light on the issue of missing and murdered Indigenous women. With such dark subject matter, Kali and Josef knew they wanted the film to be a thriller, with themes of pain, loss, and regret that intentionally draws the audience in. Kali enjoyed being a part of the creative writing process. Though she had never written a script before, she feels she drew on her ancestors’ tradition of storytelling and it felt natural. Kali was able to write her own character, building Kaylee from the ground up. Josef and Kali shoot a lot of rough footage, working out different character and script ideas. Kali also trained at an acting boot camp to help her learn acting and character work. Josef felt fortunate to work with Darren Aronofsky, who came on board as executive producer, and he gave Josef feedback on the movie to help bring it into focus.

Find Kali Reis: Instagram: @ko_ndnbxr
Twitter: @KO_Reis86

Catch The Fair One opened February 11th in theaters and on demand. https://www.catchthefairone.movie/

Learn more about Murdered and Missing Indigenous Women: https://www.nativewomenswilderness.org/mmiw

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep159/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Sponsored by Aputure: https://www.aputure.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz