October 6, 2020

Rodrigo Prieto, ASC on The Glorias, Frida, working with Julie Taymor, Martin Scorsese, Alejandro González Iñárritu

When Rodrigo Prieto meets with a director, he comes with a clean slate and a present state of mind to hear their vision. Rodrigo first met Julie Taymor in New York to talk about filming Frida. He had just finished shooting Amores Perros with director Alejandro González Iñárritu and decided to move to Los Angeles from Mexico City. For Rodrigo, Frida Kahlo’s work was very influential, and he was eager to work on a film about her life. He found that Julie Taymor loves collaborating with her team on her movies and is open to other’s input, but knows what she wants and pushes for it. Working with a theatrical director means her ideas tend to be more representative and symbolic, rather than the naturalistic realism seen in most movies. For The Glorias, Rodrigo and Julie had to determine how realistically they wanted to portray some of the events in Gloria Steinem’s life. In one scene, Rodrigo and the crew had to recreate the tornado from The Wizard of Oz, with the four Glorias as the witches on brooms. The crew built a 70’s era TV studio, rigged lights and a green screen with a camera on a crane and the actresses on wires on brooms. They also decided early on to shoot the bus scenes in black and white, with color sequences showing outside the windows.

You can watch The Glorias streaming on Amazon Prime.

A new color timed version of Amores Perros will be coming out from Criterion Collection.

Find Rodrigo Prieto, Instagram: @rpstam

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep94/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

September 29, 2020

Director Julie Taymor on her new biopic film, The Glorias, her work on Frida, Titus, Across the Universe and the Broadway theatrical production of The Lion King

The incredibly talented Julie Taymor is nearly an EGOT- she’s won an Emmy, a Grammy, multiple Tony awards, and was Oscar-nominated for her work. She is a playwright, director, songwriter, and costume designer for both the stage and film. Julie is a rare thing- a theater director who can also helm amazing films. She thinks this is because most theater directors are really not very visual- they focus more on acting and dialog. When directing her films, Julie feels it’s important to be selective and understand what you can achieve with a camera such as with lenses and lighting, vs. what can be done on a stage like The Lion King with giant set pieces, puppets, props and costumes.

Julie’s latest film, The Glorias, is a biopic about women’s rights activist and feminist icon, Gloria Steinem. Julie worked with cinematographer Rodrigo Prieto and many visual effects artists to create several surrealist fantasy sequences in The Glorias. The film has a very imaginative and creative way of telling Gloria’s story, through multiple actors playing Steinem at different ages, who speak and interact with each other. In some scenes, the Glorias ride a Greyhound bus together to depict Steinem’s interior landscape through the stages of her life. Julie decided to use several different color motifs, working with red shoes as a wardrobe choice and sometimes black and white to help get her themes across. She took a similar approach in the film Frida, which used vibrant colors and specific materials such as chrome and steel to depict the different locations where Frida Kahlo traveled and worked.

You can watch The Glorias streaming on Amazon Prime September 30.

Find Julie Taymor: http://grandlarge.tv/directors/julie-taymor/

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep93/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

WIN a Sony A7SIII, Gitzo tripod and $100 Hot Rod Cameras gift card! Worth over $4,000, for one lucky winner! Follow us on Instagram @thecinepod and click on the link in bio to enter by September 29, 2020.

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

June 24, 2020

Xavier Grobet, ASC on HBO’s Watchmen, going to film school with Mexican filmmakers Rodrigo Prieto and Alfonso Cuarón, early experience on films Total Recall, Revenge, Before Night Falls

The Cinematography Podcast Episode 80: Xavier Grobet

Mexican-born DP Xavier Grobet grew up surrounded by visual images. His mother was a professional photographer, and from an early age, Xavier made his own Super 8 movies every summer with his cousins and family members. He started out going to architecture school, but soon decided his passion was film. Xavier’s generation of fellow Mexican filmmakers, “Chivo” Emmanuel Lubezki, Rodrigo Prieto, and Alfonso Cuarón were also attending film school at one of the two main colleges in Mexico City. One of Xavier’s early experiences was operating the third camera on a French film, Les Pyramides Bleues, with Alfonso Cuarón as the assistant director. Many American productions were shooting in Mexico at the time, so Xavier was able to work on huge movies like Tony Scott’s Revenge and Total Recall starring Arnold Schwarzenegger. Once he moved to America, it took awhile to get established again, but he got a big break shooting the Julian Schnabel film Before Night Falls and the series Deadwood. Xavier Grobet’s most recent work has been on HBO’s phenomenal series Watchmen, on episodes three, five, and seven. Going into the world of Watchmen proved to be a huge challenge, because each episode works as its own separate piece, but required a familiarity with the script for the entire series to ensure the consistency and look of the story. He always found ways to shoot from different angles, and used blue lighting selectively to suggest and reveal Dr. Manhattan. It was daunting working within the framework of the show’s look and following its guidelines, but Xavier embraced it and made it his.

See Watchmen on HBO: https://www.hbo.com/watchmen

Find Xavier Grobet: http://xmexdp.com/ Instagram: @xmexdp

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep80/

Sponsored by Hot Rod Cameras www.hotrodcameras.com
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

November 25, 2019

Rodrigo Prieto, ASC: Oscar-nominated cinematographer for Silence and Brokeback Mountain, talks Martin Scorsese, The Irishman, The Wolf of Wall Street, Amores Perros, Argo and more

Rodrigo Prieto has shot many different movies with numerous looks and feelings. The Irishman is Rodrigo’s third collaboration with Martin Scorsese, who has always been a huge inspiration for him, and it was also an amazing experience working with such skilled actors on the film.