July 7, 2021

Cinematographer Stuart Biddlecombe on The Handmaid’s Tale Season Four

As a filmmaker, director of photography Stuart Biddlecombe wants to visually put his ideas on screen, telling stories that he genuinely connects to with true creative collaborators who listen and contribute. When Stuart came aboard to shoot part of season three of The Handmaid’s Tale, he knew he was taking on the mantle of what has become an iconic show. He had read the book in high school, and feels that the television series does an incredible job of putting the book into pictures, continuing to tell a meaningful and important story. Stuart was fortunate enough to begin working on the show with former cinematographer and Emmy winner Colin Watkinson, who had moved into directing. He was able to learn the ropes from Watkinson and continue the look of The Handmaid’s Tale smoothly into season four.

Stuart was very involved in the production of the fourth season of The Handmaid’s Tale, and he loved the extraordinary creative input he’s had on the show. He would meet with lead actor and executive producer Elisabeth Moss and showrunner Bruce Miller to talk though each episode, discussing with them what they wanted to shoot and what direction each episode should go. Color on The Handmaid’s Tale plays a very important role- Gilead is presented with strong red, blue and black costumes while the colors and tones representing Canada are muted and softer. In season 4, as the story follows the main character, June (Elisabeth Moss) as she escapes to Canada, Stuart knew they needed to change the color palette, shifting into stronger colors and contrasts to push the look forward.

Stuart began working in television in the UK before he went to film school, on game shows such as Who Wants to be a Millionaire?, but felt no love for the job. He decided to attend college at the National Film and Television School in order to learn more about the art of telling stories using a camera. He was in a very small film class with fellow cinematographer Charlotte Bruus Christensen. After film school, he shot several episodes of Call the Midwife and Doctor Who. Working in television taught Stuart how to shoot quickly, creating storytelling in the purest form, without the need for a lot of coverage. Stuart finds working on many of today’s television shows such as The Handmaid’s Tale to be very satisfying, as the lines of quality storytelling are blurring between television and film, with many television shows matching or even exceeding much of what can be seen in the cinema.

Find Stuart Biddlecombe: https://www.stuartbiddlecombe.co.uk/
Instagram: @stuartdop

You can see The Handmaid’s Tale season four streaming on Hulu

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep131/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 27, 2020

Suzie Lavelle, DP on the Hulu series Normal People, working with Lenny Abrahamson, BBC series Dr. Who, Sherlock, Vikings, A Discovery of Witches, His Dark Materials

The Cinematography Podcast Episode 76: Suzie Lavelle

Irish cinematographer Suzie Lavelle loves to be very hands on and involved in visual storytelling. From a young age, Suzie had an interest in photography, went to art school and was accepted into the renowned National Film and Television School in London. She began working on short films and features, one of which, The Other Side of Sleep, was shown at the Cannes Film Festival. Shortly after, Suzie landed her first television job shooting an episode of Dr. Who Season 7, an amazing opportunity that led to a long career on large scale shows such as Vikings, His Dark Materials, A Discovery of Witches, and Sherlock. Sherlock: The Abominable Bride is a single 90-minute long episode which takes place during the Victorian era and Suzie was Emmy nominated for Best Cinematography. Suzie was excited to work with director and fellow countryman Lenny Abrahamson on the new Hulu series Normal People. Normal People is about the often rocky, romantic relationship between Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) who grew up in the same small town in Ireland. Abrahamson and Suzie worked together to create very beautiful, close up and intimate scenes between the actors, which required a small footprint, few lights and the use of a single handheld camera.

Normal People is currently streaming on Hulu.

Find Suzie Lavelle: http://www.suzielavelle.com/
Instagram: @suziecine

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep76/
Sponsored by Hot Rod Cameras www.hotrodcameras.com
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz