September 27, 2023

River Wild director and writer Ben Ketai

Director and writer Ben Ketai’s latest movie, River Wild, is a thriller inspired by the original 90’s movie The River Wild, but with a reimagined plot. In River Wild, a group of friends take a white water rafting trip that becomes a desperate fight for survival as they get caught in serious rapids. Things only get worse once they realize that one of their friends has a dangerous and violent past.

River Wild was shot in Eastern Europe in just 25 days with the added burdens of water, kids, and animals thrown in. With such stunt-heavy scenes, Ben worked with stunt coordinators and experienced river rafting guides to carefully storyboard the white water rafting sequences. The rapids in the movie really exist, and professional rafters practiced for weeks to know exactly where and how to shoot the sequences on the river. Ben had to make sure that the water scenes looked amazing, and he wanted to capture the power of the water as a raft is sucked through it. Fortunately, he had a long prep period with the cast and came up with an efficient coverage strategy for each scene. For the closer scenes with actors on the rafts, the production was able to use a special Olympic kayak training facility, where the water was shallow and could be turned on and off.

As a Netflix movie, Ben knew River Wild was set to go straight to streaming on the platform. Though there was no big marketing push, it crept up to number three and stayed in the top 10 for over a month, and River Wild became the third most watched movie on Netflix in August. Ben says he doesn’t mind making movies that go straight to streaming- he likes the idea that more people can actually watch things there. His show, Startup, also spread and charted well on Netflix.

Ben and Ben Rock worked together on a series for Crackle called Chosen that was shot in 22 days for six 30-minute episodes. Both Bens fondly remember it as a lot of fun, and Ben Ketai thinks the challenge of a short time period and less money keeps you on your toes and forces you to be creative. On Chosen, he had the opportunity to make mistakes- with less money, there’s also not a lot of people standing in your way.

Growing up, Ben always wanted to make movies as a career and would use his dad’s video camera to make movies with his friends. As soon as he graduated from college, Ben moved to L.A. Luckily, his mom casually knew director Sam Raimi’s mother, and she was able to give him Raimi’s contact info. Raimi was just starting Spiderman 3, so Ben was able to get a job as an office PA for Ghost House Pictures. After working at the production company and scriptwriting for a few years, they asked him to direct his first movie, 30 Days of Night- Dark Days.

River Wild is available to stream on Netflix.

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

August 31, 2023

Director Alex Winter on his documentary, The YouTube Effect

It’s an “All Things YouTube and the Creator Economy” episode! We welcome returning guest, director Alex Winter whose latest documentary is The YouTube Effect. You may know Alex Winter for his role as Bill in the Bill & Ted movies, but these days he’s an accomplished documentary filmmaker. Many of Alex’s films explore the role of technology in our society, such as Downloaded, about the rise and fall of Napster, to Deep Web, about the online black market Silk Road.

The YouTube Effect explores the origins of the website, which began in 2005, and its rapid growth into one of the most powerful media platforms today. Interviews with early YouTube creators such as Anthony Padilla of the channel Smosh, YouTube co-founder Steve Chen, and former YouTube CEO Susan Wojcicki are featured in the movie. The documentary also dives into the many layers of controversy around YouTube, both good and evil. As a free, easy to use public platform with little to no regulation, YouTube is a forum open to all, inspiring the Arab Spring protests and Black Lives Matter movement. But as we’ve seen in recent years, YouTube also spreads propaganda and can radicalize vulnerable people to dangerous causes.

Coming from the world of film, director Alex Winter sees both similarities and differences between the creator economy of YouTube vs. the traditional media economy. He thinks that the entertainment industry has made a mistake in trying to monetize in similar ways to YouTube. The shift into streaming by media companies hasn’t monetized well for anyone, nor is it sustainable- hence the current WGA and SAG strike. Both industries currently find themselves at a crossroads: they need to balance valuing money over the well-being of the workers/creators, and for YouTube’s part, to allow regulation in order to stop actual harm to our society.

YouTube is a public forum owned and controlled by one of the biggest corporations in the world- Google- with 4.6 billion views a day. People can watch all of their news, all their entertainment, all their TV, even all of our recorded human history there. It’s both a search engine and the largest media conglomerate on earth. And the creator economy continues to thrive. As The YouTube Effect points out, by allowing people to simply add their own content, there’s no barrier to entry to get started on YouTube. Ad dollars are attached to how many views the content receives. The downside is that YouTube creators feel the grind to constantly make content, because they’ll get replaced instantly by someone else.

We’re in a new phase of YouTube’s power, Alex notes, which includes monetizing disinformation and propaganda. YouTube provides no guardrails and no standards and practices for what is posted on the site, and very little on the site is monitored or taken down. As a monopoly, the company has no competition and very little incentive to delete content. As he explores in The YouTube Effect, channels such as Prager University- a right-wing non-accredited online “school”- is heavily funded by dark money, promoting conservative agendas. This disinformation will spread quickly- the Florida Board of Education has just approved PragerU Kids videos to be shown in K-12 schools.

Alex believes that YouTube needs regulation to prevent the spread of dangerous propaganda that’s funded by ideological interests with deep pockets. Education in media literacy and lessons in how to recognize disinformation for both adults and kids will also be key to creating safer content on the platform. YouTube won’t go away and it will evolve- people have created robust communities on the platform, and it is part of our society.

You can watch The YouTube Effect streaming on Kanopy, and on VOD: iTunes, Prime Video, VUDU and other platforms.

Find Alex Winter: https://alexwinter.com/
Instagram: @alxwinter

Hear our previous interview with Alex, discussing his documentary Showbiz Kids. https://www.camnoir.com/ep84/

WATCH THIS INTERVIEW on our YouTube Channel! Ironically (or not) this is our first interview actually recorded on-camera for YouTube.
YouTube: https://www.youtube.com/c/TheCinematographyPodcast

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Aputure: https://www.aputure.com/

The Cinematography Podcast website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

May 9, 2019

Ep 34 – Lije Sarki – The Writer, Director and Producer, discusses making the beautiful new movie, Concrete Kids

Writer, Director, Producer, Lije Sarki talks to Illya about his latest project, Concrete Kids. The movie follows two nine year old boys on one adventurous night in Los Angeles. Lije discusses wearing many hats as the writer, director, and producer of the project, willing a project like this into being and aesthetic choices that served the production .  Concrete Kids was shot in 17 nights with a budget of only $25K.  Lije talks about the challenge of the search for the two young leads, shooting with kids almost entirely at night, and then securing sales and distribution for feature film.