February 17, 2021

Lachlan Milne, ACS, NZCS, cinematographer of Minari, Stranger Things, Hunt for the Wilderpeople and more

Lachlan Milne believes that finding a connection and building a friendship with the director of a film is the key to making great art. Growing up in Adelaide, Australia, Lachlan had a clear idea of what he wanted to do from an early age, since his father was a director and his mother was an editor. He got his foot in the door as an assistant prop master, but knew his calling was in the camera department. At first he was barely scraping by from job to job before getting more established as a cinematographer on small movies such as Uninhabited and Not Suitable for Children. His big breakout movie was 2016’s Hunt for the Wilderpeople with director Taika Waititi. Lachlan soon found a niche on challenging but fun supernatural movies such as Little Monsters, Martha the Monster, and Love and Monsters (coming soon to the U.S.) and then began work on the hit series, Stranger Things.

Working on a big budget show like Stranger Things was weird for Lachlan, who was used to making do on small budget movies. Stranger Things has the luxury of shooting on a stage, and everything is a built set, with walls and ceilings that could be removed for ease of shooting and lighting. The crew was even able to customize and control all the neon and lighting in Episode 8- The Battle of Starcourt to make the entire mall flicker on demand.

On his latest film, Minari, Lachlan and director Lee Isaac Chung decided the film needed to be one camera, that the pacing should be languid, simply and naturalistically shot. Lachlan feels that having a low budget actually worked to Minari’s advantage, because the best version of the movie was a film that relied more on capturing the performances rather than big showy shots. He favors holding out for a closeup until it’s emotionally warranted rather than doing it just for the sake of having closeups. Minari was a great opportunity for Lachlan to move back into shooting simple indie films. He and Isaac spent time together carefully shotlisting all the scenes. One of the most challenging aspects of shooting Minari was scenes in the trailer the family lives in. They used an actual trailer, and it was hard to cram sometimes up to 15 people into it, with no air conditioning and a limited range for camera motion and angles.

Lachlan Milne is currently shooting season four of Stranger Things.

You can watch Minari in theaters and streaming on VOD beginning February 26.

Find Lachlan Milne: https://info509786.wixsite.com/lachlanmilne

Instagram: @lachlanmilne

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep113/

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November 18, 2019

Mihai Mălaimare Jr.- DP of Jojo Rabbit, The Master, The Hate U Give, Youth Without Youth on working with Taika Waititi, Francis Ford Coppola, Paul Thomas Anderson

Cinematographer Mihai Mălaimare Jr. discusses his experience of shooting three films with Francis Ford Coppola and working with Paul Thomas Anderson on The Master. For his most recent film, Jojo Rabbit, Mehai and director Taika Waititi developed a very vibrant and colorful look for the film to emphasize Jojo’s fantasy world.

October 21, 2019

Special Episode- Jojo Rabbit: Jason Chen, Dannelle Satherley and Ra Vincent tell the production stories behind the WWII comedy/drama

We talk with Visual Effects Supervisor Jason Chen, Makeup and Hair Designer Dannelle Satherley, and Production Designer Ra Vincent who were all part of the production team for the film Jojo Rabbit. The entire group has worked with director Taika Waititi on many of his past films. They each explain their craft and some of the tricks and techniques they used on the film. Jojo Rabbit is currently playing in theaters.