September 27, 2023

River Wild director and writer Ben Ketai

Director and writer Ben Ketai’s latest movie, River Wild, is a thriller inspired by the original 90’s movie The River Wild, but with a reimagined plot. In River Wild, a group of friends take a white water rafting trip that becomes a desperate fight for survival as they get caught in serious rapids. Things only get worse once they realize that one of their friends has a dangerous and violent past.

River Wild was shot in Eastern Europe in just 25 days with the added burdens of water, kids, and animals thrown in. With such stunt-heavy scenes, Ben worked with stunt coordinators and experienced river rafting guides to carefully storyboard the white water rafting sequences. The rapids in the movie really exist, and professional rafters practiced for weeks to know exactly where and how to shoot the sequences on the river. Ben had to make sure that the water scenes looked amazing, and he wanted to capture the power of the water as a raft is sucked through it. Fortunately, he had a long prep period with the cast and came up with an efficient coverage strategy for each scene. For the closer scenes with actors on the rafts, the production was able to use a special Olympic kayak training facility, where the water was shallow and could be turned on and off.

As a Netflix movie, Ben knew River Wild was set to go straight to streaming on the platform. Though there was no big marketing push, it crept up to number three and stayed in the top 10 for over a month, and River Wild became the third most watched movie on Netflix in August. Ben says he doesn’t mind making movies that go straight to streaming- he likes the idea that more people can actually watch things there. His show, Startup, also spread and charted well on Netflix.

Ben and Ben Rock worked together on a series for Crackle called Chosen that was shot in 22 days for six 30-minute episodes. Both Bens fondly remember it as a lot of fun, and Ben Ketai thinks the challenge of a short time period and less money keeps you on your toes and forces you to be creative. On Chosen, he had the opportunity to make mistakes- with less money, there’s also not a lot of people standing in your way.

Growing up, Ben always wanted to make movies as a career and would use his dad’s video camera to make movies with his friends. As soon as he graduated from college, Ben moved to L.A. Luckily, his mom casually knew director Sam Raimi’s mother, and she was able to give him Raimi’s contact info. Raimi was just starting Spiderman 3, so Ben was able to get a job as an office PA for Ghost House Pictures. After working at the production company and scriptwriting for a few years, they asked him to direct his first movie, 30 Days of Night- Dark Days.

River Wild is available to stream on Netflix.

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Facebook: @cinepod
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June 15, 2022

Director Chloe Okuno and DP Benjamin Kirk Nielsen, DFF on directing and shooting the film Watcher

Watcher is a psychological thriller about a young actress, Julia, who has just moved to Romania from the U.S. with her boyfriend. A serial killer is on the loose in the city, and Julia begins to feel like she is being followed and watched from the apartment across the street. She has trouble convincing her boyfriend and the police that she’s being stalked, and the film builds on her increasing sense of dread.

Director Chloe Okuno and DP Benjamin Kirk Nielsen first met at American Film Institute, and collaborated on their thesis film, a short horror movie called Slut. They both believe in extensive organization, preparation, shotlisting and planning for their projects. Chloe was hired to direct Watcher in 2017, and it took some time to get the movie off the ground. They ended up shooting in Romania during the summer of 2021 under strict COVID protocols. Chloe liked that the script was a simple thriller that could be told from one character’s point of view. Chloe and Benjamin looked at Rosemary’s Baby, Alfred Hitchcock’s Rear Window, and David Fincher films Seven and Gone Girl as references to impart the sense of terror Julia feels. Benjamin wanted to find a simple, straightforward way to portray Julia’s isolation in a foreign city as her fear escalates. He chose to start with longer camera focal lengths and longer shots, then progressively move closer and closer as the Watcher creeps closer and closer to Julia.

Watcher premiered at the 2022 Sundance Film Festival and is currently playing in theaters. https://www.watchermovie.com/

Chloe Okuno: Twitter @cokuno_san

Benjamin Kirk Nielsen: http://benjaminkirk.dk/
Instagram: @b_kirk

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep172/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by DZOFilm: https://www.dzofilm.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
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Twitter: @ShortEndz

October 27, 2021

Ruth Platt, director of Martyrs Lane on writing and directing the horror thriller

When director Ruth Platt first wrote and developed Martyrs Lane, it started off as much more of a horror film rather than a psychological thriller. She had the opportunity to develop the film into a feature from a short through BFI, the British Film Institute. In its feature form, Ruth pulled Martyrs Lane into a more unsettling ghost story that’s told from the point of view of Leah, a 10 year old girl, who lives in a large old house with her family. Her mother always seems very sad and distant, and Leah doesn’t know why, until a strange nightly visitor gives her a new clue to unlock every night.

The visual palette of Martyrs Lane has a timeless and impressionistic feel, creating an atmosphere of hovering between the conscious and unconscious world. The house Leah and her family lives in is a reflection of the interior and exterior world of the family. Ruth knew that finding the perfect “haunted house” was key, and they were lucky to have found the perfect location. With two inexperienced child actors as the leads in the movie, Ruth focused on trying to keep the lines sounding natural instead of scripted, and kept the kids energy up in between takes and setups. Because she and the crew only had a short amount of prep time for the movie, they had to creatively problem solve for a few issues and were able to do almost all the special effects in camera.

You can see Martyrs Lane on Shudder.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com//ep145/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

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Be sure to watch our YouTube video of Nate Watkin showing how Assemble works! https://youtu.be/IlpismVjab8

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
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Twitter: @ShortEndz

September 1, 2021

Director Ferdinando Cito Filomarino and DP Sayombhu Mukdeeprom discuss the Netflix film, Beckett and their close collaboration

Director Ferdinando Cito Filomarino and cinematographer Sayombhu Mukdeeprom have worked together on Call Me By Your Name and Suspira. Ferdinando served as the second unit director on both films. Beckett is the second feature Ferdinando has written and directed. Sayombhu also shot Ferdinando’s first feature, Antonia, and was Oscar-nominated for his cinematography on Call Me By Your Name. Prior to his experience working with Ferdinando and director Luca Guadagnino, Sayombhu built his cinematography career in Thailand, shooting films such as the Cannes festival winner, Uncle Boonmee Who Can Recall His Past Lives directed by Apichatpong Weerasethakul.

Beckett is a thriller, reminiscent of Alfred Hitchcock films, starring John David Washington as an American vacationing in Greece with his girlfriend, played by Alicia Vikander. After a tragic accident, Beckett is pursued by the police and drawn into a political conspiracy while being chased across the country. Ferdinando intended to have the film nod at Hitchcock, but he wanted to stay away from the heightened, perfectly choreographed elements of Hitchcock movies such as North By Northwest, where every scene is a spectacle, with amazing set pieces following one after the other. For Beckett, Ferdinando liked the idea of shooting everything with very natural light, keeping the movie grounded and not quite so heightened. As a hero, Beckett is relatable and believable- when he fights or runs, he sweats, gets out of breath and becomes seriously injured, and all of the action sequences are grounded in reality.

Sayombhu enjoys shooting films using natural light, preferring to reshape or bounce sunlight. If he has to use lights, he uses as few as possible, and in a way that’s almost invisible. He also prefers to light the environment rather than the actor, to give them space to move around, so that they can live in the moment and he can capture it as it happens. When Sayombhu scouts locations, he uses his eyes and his gut feeling to explore the place and memorizes the kind of natural light available, noticing potential issues before figuring out how to overcome them.

To have a good rapport with a director, Sayombhu suggests listening to the director first, and only then make a suggestion that would make it better. Ferdinando enjoys collaborating with Sayombhu because they both understand the importance of preparation during pre-production and research, and they have similar taste in filmmaking and visual language.

You can watch Beckett on Netflix.

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep138/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com
Sponsored by Aputure: https://www.aputure.com/

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

March 10, 2021

Benjamin Kracun, cinematographer of Promising Young Woman, on shooting the dark comedy and working with director/writer Emerald Fennell

The film Promising Young Woman is many things: a dark comedy-noir-thriller-revenge fantasy, and even part romantic comedy. The film centers on Cassie, a smart and complicated character seeking revenge on men who prey on drunk women. Cinematographer Benjamin Kračun first met director and writer Emerald Fennell while working on a short video project together. Fennell mentioned she was working on a feature project, and she eventually contacted Ben to let him know she had funding and was ready to shoot. Fennell had seen one of Ben’s previous films, Beast, which she felt had a similar sensibility.

Once Fennell sent the script, Ben read it and found himself completely hooked. He found it very exciting because it was so unlike any Hollywood script he’d seen- a taut thriller, but a fun and enjoyable popcorn movie with elements of romantic comedy. He could see that the film would spark a cultural discussion afterward.

For their first meeting, Ben put together images and ideas of what he thought the movie would look like- very dark, dramatic looks from films such as Gone Girl and Magnolia. Fennell came with a look book for a film full of pastel colors and the main character, Cassie, would dress in bright, happy colors. Ben was surprised at first, but Emerald had a very specific point of view for what she wanted. It was very clear from the beginning that it was Emerald’s vision and her voice, even though it was her first feature film. Ben likes having specificity at all times from the director, and you can see when a movie has carefully thought through everything. Cassie is in disguise, working at a bright coffee shop by day, and playing different drunk girl roles at night, planning for something bigger. Using the pastel palette in the film takes Promising Young Woman a step away from reality, and hides the darkest undertones of what is really going on, and the audience doesn’t see what’s coming.

You can pay to see Promising Young Woman streaming on VOD services.

Find Benjamin Kračun: https://benjaminkracun.com/
Instagram: @benkracun

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep116/

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz