June 5, 2026

Shooting in the dark: the making of Spider Noir

Cinematographers Darren Tiernan, ISC and Peter Deming, ASC are the DPs of Spider Noir, the new MGM Plus and Amazon Prime series starring Nicolas Cage as the hard-boiled 1930s New York detective version of Spider-Man. The character is based on Marvel Comics featuring Spiderman Noir, and first introduced in Spider-Man: Into the Spider-Verse. Tiernan and Deming created a series that looks like a classic film noir using vintage lights, custom LUTs and a “noir vocabulary.”

We dive into:
-How the production created a dual release simultaneously in both black and white and color.
-Lead DP Darran Tiernan worked for months on LUT development and a workflow that kept every department aligned on both versions from day one. Monitors on set showed what the scenes would look like in black and white.
-Why both Darren and Peter used old tungsten lights with Fresnel lenses instead of LEDs whenever possible. Not out of nostalgia, but out of necessity for getting the hard light that defines film noir.
-How rigorous preparation, from shot decks before the first meeting to photo boards and green screens on location, allowed creative freedom to take risks in the moment when the cameras were rolling.
-Why the goal was never to recreate classic noir but to absorb its philosophy of shadow, composition and expressionistic light and apply it to this specific story. That distinction is what makes Spider Noir feel fresh rather than like a period piece.

Find Darran Tiernan: https://darrantiernan.net/
Instagram: @dazt

Find Peter Deming: Instagram @peter_deming

Spider Noir is now streaming on MGM Plus and Amazon Prime.

SHOW RUNDOWN:

03:10 Close Focus
14:42-01:06:55 Darran Tiernan interview
01:06:58-01:39:36 Peter Deming interview
01:40:40 Short ends
01:53:43 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social

May 29, 2026

James Laxton, ASC Frames Class and Generation Gaps in Beef 2

James Laxton, ASC is the Academy Award nominated cinematographer of Moonlight. His latest project is Season 2 of Beef, the acclaimed Netflix series created by Lee Sung Jin. This season explores themes of love, class, and generational cycles.

Key Podcast Highlights:
-How James and Lee built a color palette of spring, summer, autumn, and winter that stays continuous through lighting, costume, and production design to give each couple their own visual world.
-Why shooting on the large-format ARRI 265 was a thematic decision, presenting characters as larger than life symbols of forces far bigger than themselves.
-How light and framing portray the power dynamics, from a harsh, undiffused backlit golf course confrontation to wide symmetrical frames of opulence that trap characters inside the class structures surrounding them.
-How James and Lee established a shared visual language, honoring the DNA of Season 1 while pushing the show somewhere entirely new.

Find James Laxton: http://jameslaxton.com/
Instagram: @mrjameslaxton
See Beef s. 2 on Netflix
Hear our previous episode with James Laxton on Moonlight and If Beale Street Could Talk: https://www.camnoir.com/ep63/

SHOW RUNDOWN:

02:09 Close Focus
14:17-55:08 James Laxton interview
55:54 Short ends
01:07:09 Wrap up/Credits

The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social