June 21, 2023

Beef cinematographer Larkin Seiple

We welcome back cinematographer Larkin Seiple, who was the cinematographer for the Best Picture winner, Everything Everywhere All At Once. Larkin’s most recent project was the Netflix series, Beef.

Beef is about Danny Cho (Steven Yeun) and Amy Lau (Ali Wong) who clash in a parking lot, leading to a road rage chase. But it doesn’t end there- both Danny and Amy continually escalate their anger and revenge towards each other, endangering their families and everyone around them. Both characters are stressed, unhappy people who do terrible things to ruin other people’s lives.

Larkin enjoyed exploring how the antihero characters in Beef make awful and selfish decisions that get worse and worse, like a pebble rolling downhill. He manipulated the camera to influence the audience’s understanding of what’s happening, so that they can identify or even sympathize with Danny and Amy. He kept the cameras very close to the main characters, using wider lenses to bring the audience into their sphere, often using handheld shots over the shoulder with medium close ups and minimal coverage. Larkin also likes keeping things dark and moody, with minimal extra lighting. This enables him to shoot fast, and actors Steven Yeun and Ali Wong had more time to really explore their performances.

You can watch Beef on Netflix.

Find Larkin Seiple: http://www.larkinseiple.com/
Instagram: @larksss

Sponsored by Hot Rod Cameras: www.hotrodcameras.com

The Cinematography Podcast website: www.camnoir.com
YouTube: https://www.youtube.com/c/TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz

June 24, 2020

Xavier Grobet, ASC on HBO’s Watchmen, going to film school with Mexican filmmakers Rodrigo Prieto and Alfonso Cuarón, early experience on films Total Recall, Revenge, Before Night Falls

The Cinematography Podcast Episode 80: Xavier Grobet

Mexican-born DP Xavier Grobet grew up surrounded by visual images. His mother was a professional photographer, and from an early age, Xavier made his own Super 8 movies every summer with his cousins and family members. He started out going to architecture school, but soon decided his passion was film. Xavier’s generation of fellow Mexican filmmakers, “Chivo” Emmanuel Lubezki, Rodrigo Prieto, and Alfonso Cuarón were also attending film school at one of the two main colleges in Mexico City. One of Xavier’s early experiences was operating the third camera on a French film, Les Pyramides Bleues, with Alfonso Cuarón as the assistant director. Many American productions were shooting in Mexico at the time, so Xavier was able to work on huge movies like Tony Scott’s Revenge and Total Recall starring Arnold Schwarzenegger. Once he moved to America, it took awhile to get established again, but he got a big break shooting the Julian Schnabel film Before Night Falls and the series Deadwood. Xavier Grobet’s most recent work has been on HBO’s phenomenal series Watchmen, on episodes three, five, and seven. Going into the world of Watchmen proved to be a huge challenge, because each episode works as its own separate piece, but required a familiarity with the script for the entire series to ensure the consistency and look of the story. He always found ways to shoot from different angles, and used blue lighting selectively to suggest and reveal Dr. Manhattan. It was daunting working within the framework of the show’s look and following its guidelines, but Xavier embraced it and made it his.

See Watchmen on HBO: https://www.hbo.com/watchmen

Find Xavier Grobet: http://xmexdp.com/ Instagram: @xmexdp

Find out even more about this episode, with extensive show notes and links: https://camnoir.com/ep80/

Sponsored by Hot Rod Cameras www.hotrodcameras.com
Website: www.camnoir.com
Facebook: @cinepod
Instagram: @thecinepod
Twitter: @ShortEndz