Matthew Chuang: bringing an authentic look to Chief of War

The Cinematography Podcast Episode 322: Matthew Chuang, ACS

Chief of War is a historical drama series from Apple TV+ co-created by and starring Jason Momoa. The show features a primarily Pacific Islander cast speaking Hawaiian, and is the first program to tell the story of the brutal and unprecedented unification of the Hawaiian islands in the late 18th century.

Cinematographer Matthew Chuang, ACS shot episodes 1, 2, 5, 8 and 9 of Chief of War. He teamed up with director Justin Chon, his friend and collaborator on the indie film, Blue Bayou, to shoot episodes 1 and 2. Working with Chon, Matthew set the look of the show- a naturalistic, honest and real look, with few effects or stylized camera moves. They drew from films by director Terrence Malik, cinematographer John Toll and movies such as The Last of the Mohicans and Apocalypto. “It was a lot of fun because I had resources for the first time. The scale of the production was exciting,” says Matthew, who had never worked on a television show before, let alone an epic one like Chief of War. “We wanted to showcase Hawaii, the culture, the fighting style and costumes, but in a way that feels grounded and real.” Understanding the history and receiving guidance on cultural sensitivity was also important to the crew, who often engaged with the actors and local community to make sure it felt authentic. The crew shot in Hawaii for eight weeks before shifting to locations in New Zealand.

For Matthew, the ninth and final episode, directed by Jason Momoa, proved to be the most difficult. They filmed major battle scenes in the lava fields of Kalapana on Hawaii, while the Mauna Loa volcano erupted for the first time in more than three decades. The lava rocks were sharp, hot and offered no protection from the sun, and the battle as scripted went from daytime into night. Matthew had to carefully plan the shooting schedule around the time of day in the script, with the crew often starting at 3am to get shots going from night into day. It was Momoa’s directorial debut, and Matthew found him to be extremely knowledgeable. “Jason is very involved on the visual side,” explains Matthew. “He loves cameras. He loves the craft of shooting. He knows lighting as well, like the direction of the sun, especially with the show where we’re shooting a lot of times outdoors, a lot of time on location.”

Find Matthew Chuang: Instagram: @mattscope

See Chief of War on Apple TV+

CAMERA: RED V-Raptor, Alexa Mini LF for episode 1 and 2 for 2.39:1 aspect ratio

LENSES: Panavision T-series anamorphics

Close focus: K-Pop Demon Hunters is now Netflix’s most watched movie in Netflix history and it’s also the number one movie right now in theaters.

Ben’s short end: Exegesis Lovecraft, a documentary on Tubi.

Illya’s short end: The Sony firmware update adds BIG6 homescreen to the FX3 and FX30 cameras. You can buy a Sony FX3 and FX30 at Hot Rod Cameras.

Matthew Chuang: bringing an authentic look to Chief of War

Subscribe to the Podcast on Apple Podcasts or click on the link below to listen here

Ted Hope, Hope For Film: the rebirth of independent cinema

Two DPs, one vision: creating the look of Pluribus

Ted Hope, Hope For Film: the rebirth of independent cinema

Two DPs, one vision: creating the look of Pluribus

Lawrence Sher, ASC reimagines Frankenstein for The Bride!

Ted Hope, Hope For Film: the rebirth of independent cinema

Two DPs, one vision: creating the look of Pluribus

Lawrence Sher, ASC reimagines Frankenstein for The Bride!