The Cinematography Podcast Episode 75: Trevor Forrest

A note: We were sorry to hear of director Lynn Shelton‘s passing. Her most recent directing and executive producing project was the Hulu series, Little Fires Everywhere. Her death is also a huge loss to the independent film community. Trevor Forrest leads off the episode with a tribute to Lynn.

Trevor Forrest grew up in England and the Bahamas, and went to art school to study painting. He began making photo compositions and moving into fashion photography, traveling the world and letting it lead him into storytelling through cinematography. One of Trevor’s early films, Una Noche takes place in Cuba, and he captured the rhythm and feel of the island through mostly hand-held camera work. Una Noche won Best Cinematography at the Tribeca Film Festival. Noble, an award-winning biopic about children’s rights advocate Christina Noble, allowed Trevor to use vintage lenses to capture the look of the time period. Trevor’s art school training came into play when he shot the dramatic series, I Am The Night, about the possible killer of the Black Dahlia. He used a darker lighting technique, using lights only to highlight the actors and scenes, allowing the viewer to peer into the darkness and pick out the details. In Little Fires Everywhere, the show explores the complicated world of race, class and motherhood through the dueling protagonists Elena (Reese Witherspoon) and Mia (Kerry Washington). Despite it being shot in Los Angeles, Trevor wanted the series to evoke the look and feel of Ohio, including the difference in the quality of light and the changing of the seasons as the show progresses through the year. Capturing that feeling on film required warmer and cooler lighting techniques and careful lens choices and calibration. The fiery finale was a combination of practical and special effects done with sets, models and computer graphics.

Little Fires Everywhere is currently streaming on Hulu.

Find Trevor Forrest

Instagram: @tforrestdop

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Close Focus: The entertainment world is figuring out new ways to do the same old business. Univeral released Trolls World Tour on VOD (Video On Demand) and it made $100 million in just 5 days. AMC retaliated and decided to ban Universal movies from all of its theaters. Other indie movies are teaming with independent theater chains to help revenue share when people pay online rental fees.

Ben’s short end: Crooked Media’s “Wind of Change” podcast is available on Spotify. A series about the CIA and the Scorpions song, Winds of Change, which may or may not have been written by the CIA.

Illya’s short end: What We Do in the Shadows series on FX and Hulu, a “documentary” style comedy vampire series that keeps getting better.

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Podcast Credits:

Editor in Chief:  Illya Friedman
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Ben Rock:  @neptunesalad twitter
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Producer: Alana Kode

Editor: Ben Katz
Composer: Kays Alatractchi

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