The Cinematography Podcast Episode 230: Judd Overton
Killing It is a satiric comedy on Peacock starring Craig Robinson as Craig Foster, an aspiring entrepreneur struggling to start his business. The show pokes fun at the absurdities of American capitalism, class, race, health care, and how it’s all stacked against the little guy.
Cinematographer Judd Overton shot all episodes of Killing It for both season one and season two. His approach to shooting the comedy has always been to keep it relatable and naturalistic, even though the characters are going through things that might seem ridiculous. With three cameras, it was also important to create a space for the actors to do their best work- they would often improvise and try to sharpen their jokes on set. Shooting with longer lenses gave them room to move. The composition and lighting also have to play together for the humor to hit. Each of the characters in Killing It have their own episode, and the lighting is influenced by the places they’re in, such as a strip club or a huge mansion. Judd feels that planning is essential, and he had to think on his feet to be able to change blocking or the time of day a scene was shot. One scene in Killing It from season two required a lot of stunt work and fight scene blocking in an automotive chop shop, but the comedy beats weren’t working. Without the comedy beats, the fight scene just wasn’t going to play. They had to stop, reblock and shoot again to work out how to make it feel funny.
Judd grew up in the outback of rural Australia, and his family would buy VHS movies for entertainment and watch them over and over. The kids would then reenact the movies, filming it with a camcorder, and edit them together. Growing up in the driest permanently inhabited place on earth meant that documentary crews would frequently come through, and Judd would go and watch them work. It inspired him to become a cinematographer, so he learned photography in high school and then became a camera assistant through the Australian Cinematography Society. He later attended the Australian Film Television and Radio School (AFTRS), won several awards for his student work and started getting offers to DP on larger films.
Judd’s next project is a feature film called Totally Killer, a slasher comedy that will be the closing night film at Fantastic Fest in Austin. It releases October 6th on Amazon Prime.
You can watch Killing It streaming on Peacock.
Find Judd Overton: Instagram: @juddovertondp
Close Focus: Highlights about the Venice Film Festival, featuring some films from problematic directors such as Roman Polanski, Woody Allen and Luc Besson.
Ben’s short end: A new AI tool called Metaphysic is being used in director Robert Zemeckis’ upcoming movie, Here. Metaphysic does generative real time AI de-aging, such as the Tom Cruise deepfakes. However, the company is ethical and has a partnership with the talent agency CAA, so that every actor owns their own AI likeness.
Illya’s short end: Marvel is promoting season 2 of Loki and releasing season 1 on a 4K Blu-ray DVD, with lots of extras.
Listen to Ben’s new horror series Catchers, available NOW only on Audible!
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Podcast Credits:
Producer: Alana Kode
All web and social media content written by Alana Kode
Host and editor in Chief: Illya Friedman
Instagram: @illyafriedman @hotrodcameras
Host: Ben Rock
Twitter: @neptunesalad
Instagram: @bejamin_rock
Editor: Ben Katz
Composer: Kays Al-Atrakchi
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