The Cinematography Podcast Episode 87: Brandon Trost

Cinematographer and director Brandon Trost enjoys exploring different genres and styles of filmmaking, trying different things that push him outside of his comfort zone. Brandon grew up around film- he is the fourth generation of his family working in the movie industry. He attended LA Film School and soon began working as a cinematographer. One of Brandon’s early films, the action movie Crank: High Voltage, was shot much like a skateboarding video, with several small cameras strategically placed to capture the frenetic pace so that it would feel electric. Brandon loved working with director Rob Zombie on Halloween II, which was shot on 16 mm film for a very grainy and gritty look. Shooting the comedy film MacGruber was Brandon’s first experience working in the humor genre. He and director Jorma Taccone wanted it to look like Die Hard, taking all the action movie tropes to an extreme, which is what made it funny rather than choosing to shoot it like a conventional comedy movie. MacGruber helped launch Brandon’s career into shooting comedy movies This is the End, The Interview, Popstar: Never Stop Never Stopping, Neighbors and The Disaster Artist with Seth Rogan, Andy Sandberg, and James Franco. When shooting with comedians, Brandon found it’s important to be prepared for improvisation and to light the space so there’s flexibility for the actors to move within it, keeping shots fairly wide. For the films Diary of a Teenage Girl and Can You Ever Forgive Me? Brandon had the opportunity to switch gears again, working with director Marielle Heller. They chose a camera and lenses for Can You Ever Forgive Me? that gave the film a real, naturalistic, even unflattering look to Melissa McCarthy’s character. Brandon got to explore dark comedy again in the pilot for the HBO series, Barry. Creators Bill Hader and Alec Berg wanted the violence to feel very real, dark and yet funny, so Brandon chose to treat the pilot like a Coen brothers movie, using moody lighting and shooting with a single camera. An American Pickle is Brandon’s first time directing a large feature film. Frequent collaborators Seth Rogan and Evan Goldberg asked Brandon to take a look at the script with an eye to directing, and the story appealed to him. Directing An American Pickle was challenging since Seth Rogan plays both main characters. Much of the film had to be shot twice- once with Seth Rogan as the character Herschel and then as the character Ben. Brandon found that choosing a director of photography when you’re also a cinematographer can be difficult, and he chose DP John Guleserian (Like Crazy, About Time, Love, Simon, the upcoming Candyman) to shoot the movie because he has a great sense of humor and is very collaborative.

Find Brandon Trost

Twitter: @b_tro

See An American Pickle on HBO Max

Featurette: An American Pickle- The Art of Twinning

Our interview with DP John Guleserian will be coming in October.

Sponsored by Hot Rod Cameras

Close Focus: Sports documentaries and movies such as The Last Dance, now available on Netflix. Even if you’re not a fan of sports, the editing and storytelling in this Michael Jordan documentary is engaging and fascinating.

Illya’s short end: The new Sony mirrorless camera, the A7sIII, is an incredible camera that shoots beautiful images, and is also a great value. You can pre-order yours today at Hot Rod Cameras.

Ben’s short end: The HBO series I’ll Be Gone In the Dark tells the story of The Golden State Killer and the personal and touching story of crime writer Michelle McNamara’s obsession with finding him.

LIKE AND FOLLOW US, send fan mail or suggestions!


Instagram: @thecinepod

Twitter: @ShortEndz

Podcast Credits:

Editor in Chief:  Illya Friedman@hotrodcameras

Instagram: @illyafriedman

Ben Rock:  Twitter: @neptunesalad

Instagram: @bejamin_rock

Producer: Alana Kode

Editor: Ben Katz

Composer: Kays Alatractchi

Subscribe to the Podcast on Apple Podcasts or click on the link below to listen here

Subscribe to Podcast

Leave a Reply

Your email address will not be published. Required fields are marked

This site uses Akismet to reduce spam. Learn how your comment data is processed.

{"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}



Support the Show

Enjoy listening to our podcast? Consider making a purchase at Hot Rod Cameras!